the vine, kinver

our pub of the season - spring 2025

the vine in kinver

As boaters, we know the satisfaction of finding a really good canal side pub, as they are few and far between these days. The Vine in Kinver is an excellent example of a pub boaters will feel comfortable in. It is a place where everyone is welcomed, whether you are popping in for a quick drink or expecting a three course meal. And the staff are amongst the most courteous we have come across.

the Vine at Kinver

outdoor terrace at the Vine in Kinver

Background

The Vine was opened in 1863 in competition with the Lock Inn that once stood opposite. Originally two converted cottages, it extended into adjacent cottages over the years and most internal walls were removed in 1980. It is now a one-roomed pub, it retains distinct areas on different levels, with the restaurant overlooking Kinver lock on the Staffs & Worcs canal.

The Vine is very proud to receive the prestigious cask marque award for serving the perfect pint of cask ale. We also received a 5 star award for Beer and Cellar Hygiene.

the pizza oven at the Vine

garden at the Vine in Kinver

Situated on Kinver Lock, the Vine boasts a wonderful outdoor terrace where you can sit and watch the boats come and go through the lock. You can eat out on the terrace when the weather is favourable, and there is also a very large garden where tasty Pizzas cooked in the Vine's outdoor Pizza oven are served.

the dining area at the Vine in Kinver

the bar at the Vine in Kinver

Venture indoors, and you will find a spacious bar with a separate large and comfortable dining area. If you are eating, you have the choice of the dining room or the bar areas - drinkers and eaters mix very easily together. In the colder weather there is a welcoming open fire at one end of the bar with people like us naturally homing in for a warm!

John and Sam Manager and chef at the Vine in Kinver

bar staff at the Vine in Kinver

You will find the staff at the Vine generous in service and friendliness, with nothing being too much trouble. The pub is managed by John Sullivan, ably assisted by Ben Baker and the rest of the team. John's wife, Sam, is head chef - and what a chef she is, always prepared to try out new ideas, and producing some truly wonderful dishes. Her Sunday roasts are visual as well as palatable feasts.

Since John and Sam have taken over, with their loyal team behind them, they have brought new life to the Vine. John and Sam are full of ideas: apart from the regular festive events, they have introduced highly successful Themed weekends (Thursdays to Saturdays). In February this year they held an American weekend with hot-dogs and burgers being served alongside the main menu, and more recently, Sam became proficient at Greek cuisine!

lunch at the Vine in Kinver

George Robbins Quiz Master at the Vine

What's On

The Vine now has regular live music, with a local band 'The Vibe' appearing in April. And dare we mention our own Gerry Goode (the Bridgnorth Balladeer) who is also a frequent performer?

George Robbins, who was a regular behind the bar and in the kitchen, has now moved on, but comes back every other Tuesday to perform as Quiz Master for a fun quiz night which is growing steadily in popularity. A bargain at only £1 per player...

A new dart board has been installed, which is attracting a deal of attention. Apart from this, there are no televisions blaring, and while there is sometimes background music, it sits comfortably in the background.

Summary

Local enthusiasm for the pub has increased dramatically, and visitors come and leave with only compliments for the food, the drink, the friendliness, and the service.

The Vine is well worth the short walk from the visitor moorings which extend a good way beneath the lock, and also above the lock after the stretch of permanent moorings.

John & Sam Sullivan outside the Vine at Kinver

Sam & John welcome everyone to The Vine in Kinver: boaters, cyclists, locals, walkers - even dogs and children. The food is excellent, as is the range of beers, lagers, ciders and spirits. They also take care to have some zero alcohol beverages available. It's the friendliness of the staff and their commitment to good service which hits you. We can't recommend it enough.

You can see what is happening at the Vine by following them on Facebook or you could contact a member of the team by phoning 01384 936919.

how it all started

art deco

how it all started

My previous post told the story of how our life aboard Art Deco ended and I thought that maybe it is a good idea to tell the story of how it started. How two relatively sane people of pensionable age decide to give up bricks and mortar, sell everything they possessed and invest in what is essentially tin can floating on water.

It all started with a chance meeting back in the spring of 2011. At that time my wife, Joyce and myself were the owners of a small cafe that we had started after being made redundant. Over time the cafe became a meeting place for the local community, mainly because we served excellent food and coffee courtesy of Joyce, but also because of the five computer terminals we had installed, offering customers free access to the internet. This had been my idea, to offer something unique in the hope of generating custom, which indeed it did. I was on hand to help folks who weren’t that computer literate to navigate the internet and generally offer encouragement and advice.

One Wednesday morning in May of that year a lady came in, ordered a coffee and asked if I could help her with the computer, she wanted to find out if there were any moorings available for canal boats in London. As we searched the internet we chatted and she told me that she was having a boat built in Tyler Wilson's yard on the canal in Sheffield and planned to take it down to London and live on it. I did not know it at the time but that one chance meeting would be the start of an amazing adventure.

The lady, Rosemary was her name, became a regular customer of the cafe and one day she invited us onto her boat for drinks. We were living in an apartment in the Old Grain Warehouse right by the Sheffield Canal Basin so we knew exactly where the boat builder was, in fact we frequently spent time chatting to the boaters who moored there. The cafe was closed on Sundays so the following weekend we made the first of many visits to her boat, which was in the final stage of the internal fit out with just a few ‘snags’ to sort out before she went on her way to a mooring in central London that we had found on the internet. Her son and family lived in the Camden area and she wanted to be close to them but couldn’t afford property prices and living on a boat seemed to tick all the boxes for her.

It was a lovely summer that year and we spent many a happy Sunday afternoon on Rosemary’s boat enjoying a glass of wine and each others company. On one occasion we were chatting away when the conversation led to what our careers had been before retirement. Rosemary and her late husband had been in the hospitality trade all their working lives, managing pubs and later small hotels. As we chatted she stopped, looked around her boat and said, “you know, a boat like this would be perfect as a floating hotel”.

I heard the words and immediately a light flashed on in my mind, I had an idea! We had been successful running the cafe, really busy with lots of trade, but it was proving very hard work. We loved the interaction with the customers but we were only just about earning the minimum wage even though we were working very long hours and it was beginning to tell, we were both in our early sixties for heavens sake! For some time we had been thinking of what our next move would be, where would we go, what would we do next. Our two children had left home, Adrianne was registrar at the Baltic Gallery of Contemporary Art in Newcastle and David was in Sheffield working as a digital graphic designer, so with no responsibilities we felt that we could do whatever we wanted and go wherever we pleased. I had been self-employed in the eighties, running my own graphic design studio, so I was familiar with going it alone and not afraid to take a chance. Rosemary’s suggestion of the floating hotel had fixed itself in my mind and I couldn’t let it go, it was an itch that I had to scratch!

I had no experience of the boating world, a couple of holidays on the Norfolk Broads was the limit of my boating knowledge, so a steep learning curve was going to be necessary if I wanted to scratch the itch and follow my dream. Joyce had agreed that in principal the concept was sound, her reservations were around the logistics and practicalities of catering for guests in the small space that a canal boat offered. We needed to know more about what we would be getting in to and the internet has made it extremely easy do. Research used to involve a trip to the local library, searching through books and magazines, finding and talking to people with relevant experience. Now courtesy of Google it can all be achieved from the comfort of your own living room.

The amount of information relevant to our needs was staggering, everything from individual blogs by boaters to detailed articles written by experts, and of course companies advertising their latest products. We spent many hours on our research and slowly a plan came together. It soon became clear that the ‘off the shelf’ option of a boat from one of the commercial builders would not meet our requirements, we needed a bespoke design to suit our project. As I mentioned earlier, I had been a graphic designer and although retired, I still had my Mac computer and design software and enjoyed creating illustrations, purely for pleasure. It was no big leap to transfer these skills to designing the internal layout and overall design of a canal boat.

The first decision to be made was the size of the craft. It would be our home we decided on a wide beam craft, 12 foot wide, as opposed to the standard narrowboat size of 6 foot 10 inches wide. (canal boat builders still use imperial measurements) This decision would limit our cruising range and we would have to decide whether to base ourselves on the northern or southern waters, Birmingham being the ‘pinch point’. The canals around this area were the first to be developed and the locks on them were built to accommodate the narrow boats, but as the network widened and trade grew, larger locks were constructed, enabling larger boats with more freight carrying capability to be built. Most of the older locks were never widened to accommodate wide beam craft resulting in the fact that Birmingham still remains a ‘pinch point’ in the canal system to this day. We decided to go south, mainly because the climate would be warmer, but it also gave us the option to cruise the river Thames as well as the canals.

With those decisions made, I started working on the internal layout. Our plan was to offer a few days cruising experience to just two adults at any one time, so we would need a craft that could accommodate: two double cabins, one for ourselves and one for guests, along with a galley, saloon and bathrooms. Most wide beam craft have the main bedroom cabin in the bow and an open plan saloon and galley at the stern, with bathroom and bedroom cabins in between. Having no previous knowledge of internal boat layouts, I could not understand the logic of this layout, and still don’t. My layout would turn this design on its head, literally, I would put the saloon in the bow, with the galley at the stern and the cabins and bathrooms in between. My logic being that our guests would be able to sit in the comfort of the saloon, watching the world cruise by through the patio doors, while the cooking and it’s associated odours would be confined to the rear of the boat.

Another reason for putting the galley at the rear is that Joyce would be spending much of the day there, as we planned to offer guests all their meals: breakfast, lunch, and dinner. I would be on the rear deck skippering the boat, so we would easily be able to communicate with each other, essential, as I would need her on deck to help through the locks and bridges.

We decided to install a walk-in wet room and toilet in the guest cabin, with a separate small toilet cabin for our use when we had guests aboard. Given that our plan was not to have guests aboard full time, and only for a maximum of five days, and more importantly to save space, we thought we could get away with one shower, we would have plenty of opportunity to make use of the guest cabins facilities.

With the internal design finalised, we were in a position to determine the length and this was always going to be a compromise. It had to be long enough to accommodate all the rooms, but short enough to be easily handled. After much ‘tweaking’ we finally had a layout we were happy with resulting in a craft that was 12 foot wide and 60 foot long.

art deco design & layout

I could now turn my attention to the technical requirements and I had done quite a bit of research on canal boat engines. Joyce had insisted that if she was to provide three meals a day for guests she needed a well equipped galley, not the usual two ring gas hob with small oven that most boats have. I had read about a company who had adapted a Beta 75 marine engine to run as a hybrid system, providing both diesel and electric motive power. More importantly to me, they stated that their system could provide masses of 240 volt AC power, more than enough, they said, to power the galley that Joyce wanted. I contacted them and we entered into discussion regarding our requirements and after much debate we had exactly what Joyce required in her galley: 4 ring induction hob, oven, warming drawer, fridge freezer, microwave, dishwasher, cooker hood and washing machine. All full size A* power rated domestic appliances. The hybrid adaption powered all these appliances, along with 240 volt plug sockets throughout the boat.

The way it worked was simple; a 48 volt alternator was fitted to the standard Beta 75 marine engine, belt driven from the flywheel. This charged a bank of 24 x 2 volt motive power batteries, connected to a Victron Energy Charger/Inverter, Multiplus 48v, 5000 VA, 70 Amp. There was also a 48 volt electric motor in the drive chain which gave motive power when engaged. The only flaw with the system was that the batteries were only charged when the diesel engine was running or when the boat was connected to shore power. This should not be a problem for us as we intended to be ‘continuous cruisers’, out on the canals/rivers 24/7.

We had the design complete and from my drawings Art Deco looked a great craft, all that was needed now was for someone to turn the drawings into reality! During the summer of 2012 we compiled a list of boat builders who looked, on paper that is, likely candidates. We visited all of them over a period of few weeks working our way through the list before deciding on a builder who was based near Manchester, we placed the order and set the wheels in motion. The reason for our choice was that this builder seemed to be flexible and willing to follow my drawings and more importantly he was willing to allow me to paint the graphics. I wanted to have some physical input into the build and the graphics were my way of doing that. I also had a second, more devious reason though, it would allow me to be at the builders every day, able to ensure that I had the boat that I wanted, not the one the builder wanted.

By the autumn of 2012 we had said good by to our previous life, sold our apartment, (furniture included), car and motorbike and taken a 6 month lease on a flat in south Manchester, near to the boat builder.

art deco wide beam canal boat

The shell of the boat had been built by a yard in Stafford and was delivered to Manchester in November, ready for the fit out. The builders started immediately but I had to wait a few weeks while the shell of the boat was prepared, primed and painted with the base colour, a process that was not helped by the cream colour we had chosen for the upper part of the boat. Eight coats had to be applied before the finish was acceptable. By the time I started on the graphics it was mid-winter and the temperature was freezing, colder in the builder's shed than outside! In fact on occasions it was too cold for the paint to flow properly. It was slow and hard going, but at least I had an excuse to be at the yard every day, ready to answer the many queries and questions that inevitably cropped up. Had I not been on hand the build time would have slipped back and more importantly I would have had a boat the builder wanted, not the one I wanted.

The gods at last seemed to be smiling on us for once and the build progressed, a little slowly I have to say and over time I came to realise that our builder was defiantly ‘old school’, working at a pace that would have been acceptable in the 19th century. He didn’t understand the concept of a deadline, and we certainly had one. Our good luck didn’t last long though, the engineer from the hybrid company contacted me to say he had broken his ankle, was out of action for at least 3 weeks and would not be able to commission the engine. This was bad news indeed; the fit out of the boat was complete, the engine was in place and we were ready to go. After many heated telephone conversations it was agreed that he would come to the marina at Roydon and commission her there. The problem with that scenario was that we had to get ourselves and Art Deco there. Garry, the engineer who had installed the engine was confident it would be alright, the diesel engine he said was working fine. So without any practical knowledge regarding the hybrid side of things we reluctantly agreed, we had no choice, by this time we were homeless.

Eventually by late May 2014 Art Deco was completed and ready to make the journey south for her launch into the Grand Union canal. Our son, David, had created a website for Art Deco, ready for us to market her as a short break destination and I took the opportunity to record the build as it went along. What follows are the posts that I put on the website and they document the events as they happened, warts and all. I should point out that all names have been changed to protect the guilty!!

1st November 2013

Well it’s been a long time coming, but at last here it is, the first blog following the build of the wide beam canal boat "Art Deco". We have had a few set backs along the way, all did not go to plan, perhaps we were a little too optimistic, but now we are over the Pennines in Lancashire, living in a rented apartment in Salford for six months whilst the boat is fitted out. The shell is complete and will be transported by road from Stafford to Manchester where Brian the boat fitter will fit out the interior. This should be completed by early Spring of 2014 and then the finished boat will again be transported by road (it is too wide to pass through the locks around Birmingham) and put in the Grand Union Canal around Watford, from where we will cruise to our mooring at Roydon Marina on the river Stort in the Lea Valley Country Park.

5th December 2013

The boat shell arrived in Manchester yesterday, HOORAY!! And what a stressful day it was, I should have been prepared due to the history of this project, but I wasn’t. All is now ready for the final fit out which should take around twelve weeks so we are on course for a launch just before Easter next year. This deadline is set in stone, as we have to be out of our rented apartment by 16th April and we don’t want to extend this. Joyce has told Brian that we will live on the boat at the yard if necessary!

11th December 2013

The shell is now in the workshop, the inside being fitted out and the outside painted in our chosen colours by Brian and his team. After applying up to four coats, which will take about three weeks, the outside will be ready for me to paint the graphics, something I am really looking forward to doing. I intend to start painting the graphics in the first week of January so I will be on site to watch the progress of the build as it turns from a great hunk of metal into a beautiful boat.

20th December 2013

Into the third week of the build and I am glad to say that now things are really progressing, the fitters and painters are hard at it and Joyce and myself, along with help and advice from Brian are madly buying all the things needed for the fit out. It is great to have a blank piece of paper and start from scratch; we sold most of our furniture along with the apartment to a first time buyer, so we are able to furnish the boat as we want. We have already ordered the furniture for the saloon and this week have ordered all the wet room and day toilet fittings and tiles. We are in the process of planning the kitchen, this has not been possible until now because we need the insulation in and boarded out to get exact measurements and we are tight for space.

The kitchen is Joyce’s domain, so she tells us what she wants and Brian and myself try and fit it in. Her list is; oven, induction hob, microwave, warming drawer, cooker hood, dishwasher, washing machine, fridge, freezer, sink, and various cupboards and drawers, all in a space of 7’6” x 12’! It is amazing what you can do with a bit of careful planning; Brian has been building boats for over twenty years so he can use literally every inch of space. All the insulation and boarding out will be completed before the Christmas break, then the central heating system will go in, it can then be used during the rest of the fit out, we have to keep the fitters warm, they will work better and this should help make the deadline! The hybrid engine is ordered and should be here early in the New Year; that will be a major stage and is an exciting prospect.

On a personal note, our car of twelve years and 160,000 miles finally gave up the ghost a couple of weeks ago. We had been over in Sheffield and were on our way home when it just died; fortunately it was right outside my mate Mak’s house! Thanks Mak for the lift to my sisters and thanks to Ann and Malcolm for putting us up for the night. The car was going at the end of December, so it is not a big deal, as we don’t plan to have one when we are on the boat.

That’s all for now, Merry Christmas and Happy New year, watch this space for the next blog in the new year, hopefully we will have a gallery to post more photos by then.

10th January 2014

The build is progressing nicely; not very exciting at the moment, but it's the things you don’t see, such as insulation, that are important. Get that wrong, then you are in trouble later on. It’s the same with the painting, Alan the guy who is painting the boat is a true perfectionist, he had primed and undercoated the whole boat but was not happy with the finish, and some of the welds were showing, so he got to work with the angle grinder, smoothed them off and started again with the primer and undercoat. He is now putting on the final coats, so I should be able to start the sign writing next week, hooray!! I will then be involved on a daily basis with the build and will be on site as the exciting work begins. Look out in the next few weeks for more interesting photos!

On a different note we went to Roydon Village Marina this week where the boat will to be moored, it’s very nice and the people are very friendly. A bit more rural than we expected though, but it has all the facilities we need. There are all the usual maintenance facilities for the boat, and a clubhouse with cafe, bar, toilets, showers and laundry facilities. And there is also a restaurant on site. Roydon village itself is very up market with three pubs, a lovely old church and village green that is mentioned in the Doomsday Book, but on the downside there is just one small shop that contains the off licence, post office and grocery store. On the up side though Roydon Railway Station is only 10 minutes walk away and there are local trains that link all the nearby towns, and fast trains into London Liverpool Street, which is only thirty minutes away.

We had a quick look around the area, Broxbourne looks like a great little town with lots of interesting shops and Harlow is larger with all the usual chain stores and supermarkets, and both are on the railway line. The whole area is within the Lee Valley Country Park which has plenty of recreation facilities such as walking and cycling routes, RSPB sites and plenty of water sports, so this will be a big plus when we start marketing Art Deco as a holiday destination. That’s all for now, hopefully there will be more to see on the boat build next time.

8th February 2014

Finally, at last I have started painting the graphics on the boat. It’s been a long time coming as Alan the painter is a true perfectionist and was not happy with the finish until he had put EIGHT coats of paint on the sides. I told him it is not a Rolls Royce finish that we are after and that boating on the canals and rivers of England is a contact sport, but he insisted on getting it perfect; it puts me under pressure now to come up to his standards with the painting of the graphics. It has actually gone well, quicker than I expected, it’s been a long time since my hand lettering days on the drawing board before the invention of the Apple Macs and I was not at all confident that I could still do it, but its a bit like riding a bike, it all comes flooding back! The only down side is the actual colours, I had a limited pallet to choose from, there is not a great range of boat paint out there, just one brown and one pink and now they are on the boat they are too vivid, not the subtle colours I wanted so I will have to add white and mix to get the correct colours and repaint. I will have to paint the other side in the original colours first though so that they both look the same and then paint over with the correct colour, not as bad as it sounds as I really enjoy being at the boat yard and being involved in the build.

The up side is that I am on site all the time and can keep an eye on the build and make changes and solve problems as they arise. There is so much involved with the build, not just the usual stuff like where light fittings, switches and plug points go, but things like where to put the water and effluent tanks, and where to hide the pumps for these, and not least of all where to put the TWO TON of batteries needed for our hybrid installation. These will hopefully fit in the engine room at the back of the boat, but there may need to be an adjustment in the ballast as none of us were aware of the scale of the battery requirements; this is the first hybrid installation that Brian has done. We will also have to make sure there is adequate ventilation as the batteries need to be kept cool, I am sure all these little problems will be solved as we go along.

So now its all plumbing and wiring at the moment, all the kitchen appliances are due in next week so we can make a start on the kitchen, the two bathrooms are ready to tile and fit out and then it’s just the bedrooms to complete then the inside will be done. That just leaves the engine, batteries, generator, gearbox, prop shaft, propeller, control gear and power management system to complete - no problem! That’s about all for now, nine weeks to go on Wednesday 12th February, so it’s full speed ahead!

12th March 2014

With Spring defiantly in the air this week we are working to an end date that is now set in stone as we have given notice on our apartment here in Salford: we have to vacate on Tuesday 15 April - 5 weeks time. The fit out is going to schedule and with the first fix now complete, the guys are moving on to fitting out the bedrooms and bathrooms which should be completed in a few days. The living/dining area needs no fittings as we are using domestic furniture - two new leather settees along with the Italian glass “air” units, coffee table and standard lamp from our apartment in Sheffield. We also have an open fire, designed especially for a boat fuelled by Ethanol that will be fitted along with a new 42” Smart TV, and our fold down glass table etched with our rose logo. Then we have the kitchen to fit out which will take around a week, so long as we can squeeze in all the appliances we have! That just leaves the question of the engine that has not arrived yet, but I am assured that it is on its way and should take a week at the most to fit, so we are not panicking yet.

Since the last blog I have repainted all the graphics and I am much happier with the colours now. The photo shows the difference, not much I hear you say, but trust me the colours are much more subtle and give the overall visual effect I wanted. I just have to paint the name on the bows now then all the graphics are complete. That's all for now, hopefully in a couple of weeks I will blog the engine fitting.

9th April 2014

Stressful times, the boat won’t be ready for our deadline and we have to vacate our flat in Salford on Tuesday next week (15th). Fortunately after Joyce’s last email stating that this might happen we were offered a cottage in the Peak District by a couple of our Cafe customers who are absolutely fantastic and we are so grateful, sleeping on a part finished boat did not appeal. We will only need an extra week on the build, so hopefully we won’t be too much of a burden on our kind friends, and there is a rail station near the cottage, so I will be able to get to the boat yard and wave a big stick. Boat builders, I have learned, are notorious for letting deadlines slip. To be fair though the quality of finish and attention to detail is excellent so that is some consolation.

There have also been unforeseen problems, namely with the engine being too long. There is masses of space either side, which is good because we need the space for all the batteries, but it is the hybrid part that fits at the rear of the diesel engine that is the problem. It would just about go in, but servicing would be a problem so we have solved this by cutting away part of the bulkhead between the engine room and the kitchen so that access can be gained from the kitchen. It has actually worked out okay though, as servicing the hybrid, which has three drive belts and many electrical connections will be very easy via a removable panel in the kitchen, which will be hidden behind the rear stairs, and it only encroaches into the kitchen by about three inches.

The rest of the fit out is progressing, the wet room and second toilet are fully tiled, the two bedrooms have their wardrobes and cupboards built and all the kitchen units are in place and the Corian work tops have been delivered, but the kitchen can’t be finished until the engine is commissioned, which is not straight forward as the manufacturers are situated in the Isle of Wight and they have to do the work.

The boat WILL be complete and ready to transport down south by the week of Easter Monday so I have to find a place to drop it in the water, not as easy as I thought due to the size and weight. After many phone calls I have found a marina near Watford who can do the job so that is where we will start our adventure from, nearer to our base than Northampton where I had originally planned, so not as many locks to negotiate which makes Joyce very happy indeed.

30th April 2014

Under normal circumstances our position would be the envy of most people: Idyllic location, comfortable country cottage and great weather. Unfortunately for us things could not be more stressful and frustrating, two weeks after our original deadline and the boat is still not finished. I won’t bore you with all the issues, but we are now at the stage where others apart from Brian and his team are calling the shots. It was difficult enough dealing with one set of craftsmen, but now we have the engine fitter, the battery and electrics engineers and the hybrid manufacturer to deal with, it’s not easy.

On a positive note the diesel engine is fitted and running and the batteries and electrics should be completed today (Wednesday). The hybrid engine has to be commissioned which hopefully will happen before the end of the week, and then Chris can finish off the galley, which should complete the fit out. All we need then is a certificate of worthiness and we are finished! It’s then the logistics of transporting the boat to Watford and getting it put in the water, which hopefully will happen in the week of Bank Holiday Monday. We cannot thank our hosts here enough; they have been fantastic and very helpful and understanding in our time of need. I have included a couple of photos, not much new to see but the French windows are in and lots of detailed finishing off has been done and another major job is the bow thrusters have been fitted. Next week I will post pictures of the lift, transport to Watford and final drop into the Grand Union Canal. I will, I really, really hope I will!!!

Joyce had not been idle while I had been at the yard painting the graphics, she had secured a mooring for Art Deco in Roydon marina on the river Stort, near Harlow in Essex. We had decided to have a marina mooring for the first three months, given the problems we had experienced. We thought this would allow us time to iron out any potential problems before we became continuous cruisers. Exhaustive research had revealed that the nearest place to the Roydon marina with a crane able to lift the 28 tons that Art Deco weighed was at Watford, just by Cassiobury park on the Grand Union Canal. We arranged transport and on the morning of the 21st May a crane arrived at the yard and lifted the completed Art Deco on to a low loader for the journey south. I had managed to persuade the driver to let me travel in the cab with him, and at 10 am I left the yard with a great sense of relief. It had not been an easy build, we had had many heated arguments along the way, especially around the time the build was taking, but eventually we got there and we were now on the final leg.

Art Deco about to be launched

Well it finally happened, the boat has left the unit but as usual for this project not without Incidents so bear with me this may take a while! The transport and crane were booked in for a 8am start on Wednesday 21st at the boat builders and as we were at that time staying in Sheffield with my sister and brother-in-law (yes we had to beg another bed for a couple of weeks!) I booked into a bed and breakfast in Manchester on the Tuesday evening and although I had pre-booked on the Monday they had no reservation for me. I had taken the phone number from the Internet and had spoken to a guy who booked me in but no males worked at the place, only women ran it, but fortunately they took pity on me and found me a bed for the night.

So at the boat builders for 8am, crane and transport already on site, it’s a hive of activity and we start to slowly pull the boat out of the unit. All is going well until the supporting bogie wheel collapsed and the boat was grounded. Fortunately by this time the boat was 95% out of the workshop so the amazing crane driver was able to manoeuvre the boat out, over the wall and on to the low loader - brilliant although the whole operation took over five hours, not the one hour predicted. So not away until after 1pm, knowing the boat yard we were heading for closed at 5pm sharp, a tight deadline.

We were making good progress and were on schedule to just about make it until the truck had a blow out on the motorway, nothing we could do but wait for rescue, which took two hours so, no boat in the water today. The boat yard could do the lift at 8.30am sharp the next morning so we found a place to park up close by and myself, Ian the driver and Wayne the support vehicle driver went to the pub and drowned our sorrows Did not have too much to drink because I was sleeping on the boat and had a fifteen-foot climb to get on!

Up the next morning and the boat was in the water for 9.15, hooray finally what a relief, but it was not to last. At 3pm I was told that I would have to move now as they had another boat to lift out of the water, panic, I was alone and had not even started the engine on this boat but had no choice but to go for it. Actually I did all right, even filling up with diesel and water on the way to a mooring place on the canal. It was not until I climbed off the boat with the ropes ready to tie up that I realised there were no mooring rings to tie up to, all the other boats had mooring stakes driven into the bank and I had none. Fortunately a fellow boater came along and helped me and that is where we are now.

Joyce came down from Sheffield by train arriving at 3pm on Friday and we have spent the weekend and bank holiday unpacking boxes, resulting in a mountain of cardboard which we have somehow to get rid of, not sure how as we have no transport. Hoping to start the journey to Roydon tomorrow if we have solved the problem of the ballast needed to trim the boat so we can use the bow thrusters.

Art Deco ready for launch

The time on my own allowed me to familiarise myself with our new home, and get my head around the one area that had been giving me sleepless nights; the electrics. I had been at the yard when the engine was fitted, complete with the hybrid adaption, and watched as the massive bank of batteries were installed and connected up. What concerned me most was the shear thickness of the cabling used, it was a good centimetre in diameter. There was a phrase rolling round in my head, that was used in the manufacture’s literature which stated; ‘There’s enough power in the battery bank to fry an elephant!’ I needed to understand the system and quick. I had watched the engineer as he fitted and connected it all together and he explained each process as he went along and the theory seemed quite simple, but what it would be like in practice was another matter.

We had two separate electric systems; a 12 volt DC system that powered the cabin lights and water pumps and a 240 volt AC mains system, very similar to a domestic set up, that powered the galley and 13 amp plug sockets. The 240 volt system took power from the 48volt battery bank charged by the 48 volt alternator via the inverter, and the 12 volt system from two leisure batteries connected to a 12 volt mains charger. These two systems were independent from the engine electrics which were unchanged from the standard Beta 75 engine. There was a gauge on the back deck which registered the amount of charge in the batteries at any one time and the number of amps generated when the engine was running. It also registered how much power was being taken out of the batteries when the engine wasn’t running.

On my short run from the marina to the mooring I had been too occupied just steering the boat and had no time to look at the gauge, that would be something to address on the long cruise to Roydon. I have to admit that I was concerned about the journey, it was a long way for our first cruise and I didn’t know enough about the electrics, there is a lot of power in the system, and as every school boy knows, electrics and water are never a good combination.

Joyce arrived in Watford at the end of May and stepped aboard Art Deco for the first time on water and was amazed just how stable she was compared to the craft we had experienced on the Norfolk Broads, they seemed to move with every step. We spent a few more days moored at Cassiobury, familiarising ourselves with our new home, stocking the fridge and freezer with food, filling the water and diesel tanks to capacity ready for the journey north via the Grand Union canal, and the rivers Lee and Stort to Roydon marina.

One last job I wanted to do before we set off on our maiden voyage was to get the boat sitting better in the water. There was a large hold in the bow that would normally take the gas bottles, but as we were all electric it was empty, ideal to fill with ballast I thought. I arranged for the local builders merchant to deliver five cwt. of concrete blocks to the service quay of the marina and moored the boat there to load up. As I stepped off the boat I slipped and fell into the canal. With water up to my waist Joyce could not help me as she was in hysterics laughing at my predicament. Fortunately I saw the funny side of my baptism, I now felt like a true boater. After I had dried off, the two of us loaded the concrete blocks in the hold, but unfortunately they only lowered the bow a few inches. It would have to do, we were keen to be on our way. Another task that would have to wait until Roydon marina.

It had been 3 years in the making, but finally on the morning of Wednesday 27th May 2014 we left the mooring at Cassiobury and cruised off into the unknown. It was a new chapter in our lives and we were excited and a little nervous, what lay in front of us we had no idea but we had taken chances before and we were still around to tell the tale.

Whatever happened it had to be better than sitting watching daytime TV!!

annie murray

author of the season - winter 2024-5

annie murray

lives on the cut - two birmingham stories

A fact that is often trotted out about Birmingham is that is has more canals by the mile than Venice. That may be the case, but either way, you can’t miss the ‘cut’ winding and criss-crossing through the city, even if the traffic on it is very different now from that of its busy industrial heyday.

When I lived in Selly Oak we were a stone’s throw from the Worcester and Birmingham canal, starting on its 30 mile west-bound journey at Gas Street Basin. I walked along it often. By the time I had written five other novels set in the city, I decided it was time to take a closer look at the cut and the life that had been on it. So I began on my first book, The Narrowboat Girl.

Annie Murray - the Narrowboat Girl

Water Gypsies, by Annie Murray

It was fascinating. All that information from Inland Waterways, the maps and accounts of life as it was lived when the boats were in and out of Brum: ‘joeys,’ the open day boats as they are called in the region and narrowboats often owned or worked for companies such as Fellows, Morton and Clayton by families, the ‘Number Ones’, seemingly head of the hierarchy of the culture, whose boats were their homes.

All these boats, pulled by horses in the early days were hauling cargoes – coal, especially coal – along these veins of water to wherever they were required, to wharfs, where the labour began of shovelling it in and out for all the surrounding factories…

Someone pointed me to Sheila Stewart’s Ramblin Rose, for which she had interviewed a collection of canal women who were by then forced ‘on the bank’ by the demise of canal traffic. She paints a vivid , though sad , portrait of life on the cut for women and children. Giving birth on cramped boats, bringing up bigger families than could possibly fit in a nine foot by five cabin. Extraordinary people.

Then the advent on the engine on the boats, the way this made life harder very often, because you don't have to rest and feed an engine, you can just keep going well into the night. And you might well miss your horse’s character and warm, grassy breath.

So often writing about Birmingham’s history – surely a city where things have always changed at a rap faster than anywhere else in the country – I am looking for crumbs. A grain of personal information here, a titbit of detail there. Many of the things I write about were not undertaken by people who had the energy or inclination to write about them. But information does come, bit by bit.

The Narrowboat Girl, set in the 1930s about a young girl, Mary Ann, who runs away and finds a new life on the water, started to take shape. She joins this life of racing to ‘get on’, the battles to get through the locks in order to deliver somewhere and get back, the delight of moving out of the city and on to a canal like the Oxford, the beauty of the seasons.

While I was working on these books I met a man called Graham Jones who had been born on the cut but his family, like so many others in the 50s, found their way of life coming to an end. He kindly gave me photographs of his parents Clara and David Jones and grandmother Ellen Beechy to show me how their life had been before. I have treasured them ever since.

narrowboat girl

old lady at tiller

These three photos, given to Annie Murray by Graham Jones who was born on a boat. They show his mother Ellen Jones (left), his grandmother Ellen Beechy and his father David Jones.

boater with horse

I had only intended to write one book. But two things made me think about another novel to follow on. One was the Inland Waterways account Idle Women, about the women who joined this way of life as volunteers in World War Two. The other was that one of my daughters was ill – for a long time. We decided as a family to go on holiday on the canals so that she could be with us and rest as much as she needed. We started at Rugby, heading north east to Minworth and round into Birmingham. And finally I was actually handling a sixty-foot narrowboat, albeit one much more luxuriously appointed than those of the Number Ones.

The idea that the women who had spent their lives on the cut, or at least married into it, would suddenly be joined by strangers, often women of a different class, and having to live at close quarters, fascinated me. The incomers would have been pretty clueless, the boat women might not be able to read. They each had their strengths and weaknesses, things to learn from each other.

So as the men began to leave and these new realities of war came into being, I wanted to explore this through my characters. This book became Water Gypsies.

So far these books have been through several covers. These are the latest – with their suspiciously well-scrubbed looking heroines. It’s not quite the same inside the covers! I hope some of you might find something in them to enjoy.

Annie Murray

Annie has written several books including many which are set in historical Birmingham. She has in fact written 30 books so far, and they almost invariably end up in the paperback "top-sellers". Of particular interest to us, perhaps, are the two books which tell the story of women who lived and worked on canal boats.

Annie's books are available to buy from Amazon, but she also has her own website. You can follow Annie on Facebook and contact her by email

michael nye

featured author of the season - autumn 2024

Michael Nye

michael nye talks about his new (and older) books...

I’ve said that I thought “Mayfly” was my one book that we’re all supposed to have in us. I’m not sure how the latest one “Counting Freckles” has come about if that is the case because it’s number eleven in the Mayfly family. I call the books a family rather than a series because they are each individual stories that can be read alone or in the context of the other tales.

This latest book focusses on a brand new character that wasn’t born or even thought about when Jim and Amanda set off on their ongoing adventures. In fact even her mother was not alive back then. Coleen Phillips is the daughter of Astra who is the only child of Paul and Miranda, the couple who took the young Jim in when he had nowhere to go before the Mayfly adventure started. You with me so far? All of these new characters occupy space in my mind and seem to be telling me their stories a little at a time so that when I finish one book, I can’t just put my feet up because there’s more to tell. After Lois Turner (main character from “The Reed Cutter”) had told her story, it was time for Jim and Amanda’s daughter to have her say. She has a lot to say too and chose to do it in first person style, which presented a few problems for the writer… me! Next came a whole crew of people that appeared in “Maze Days” and other books who set about righting wrongs in their own special way. The older (and not much wiser) Jim and Amanda even took the newly refurbished Mayfly to sea as part of the adventure. Next came “Vee,” the life and times of Jim and Amanda’s long standing friend Vera Potter (who first appeared in Mayfly). Doing that in first person was one hell of a challenge but I did love seeing the world through Vera’s eyes. “Askatasuna” was a complete other kettle of fish, seeing the introduction of two new characters (Ella and Casey) who both have an unknown connection to Jim and Amanda’s original adventures. You’ll have to read the book to find out just what that is.

Mayfly book by Michael Nye

Here We Go book by Michael Nye

Emily's Journey

Nearwater - book by Michael Nye

As always, the writing of each new book gets more complicated as the timelines and characters from past books interact with new ones. Each one has to be both in character and in keeping with the history of the (unrelated) clan of folk that I appear to have created over the past fifteen years since I wrote the first words of Mayfly. I started out with two main characters (plus a handful of supporting ones) in Mayfly and this number has now gone to more than I can count (with even more supporting roles) and a timeline that spans over 90 years.

When I was sufficiently into the writing of Mayfly, I decided that I was going to do pretty much all of the work myself (apart from some proofreading and final printing). I chose watercolour as a medium and all covers are done larger than life (usually A2) using old Reeves and Winsor & Newton paints. Yet again each cover tells its own story by taking references that can be found in the text of the book. Once finished I stick the paintings to the side wall of the house on a day when the light is just right, and then photograph them with a halfway decent digital camera. Originally this was just to see if the images would be suitable when I sent them to the printers, it being my intention to have them professionally copied somewhere. When the word came back that they were absolutely fine as they were, I set about adding titles etc. and enjoying each part of the cottage industry feel that had come about.

Ballad of Masie and Linda

The Reed Cutter, by Michael Nye

Maze Days, by Michael Nye

The Mayfly Children, by Michael Nye

Once Mayfly was out, I did wonder, “What happened to Jim and Amanda next?” Cue “Here we Go!” and all the rest. I’m now kind of comfortable with the idea that I could still be writing about the escapades of this curious gang until I finally drop off my perch. Apart from the odd villain, I do like the people from the books and find it hard to kill any of them off. As an author you’re supposed to be able to terminate your characters with ease but I’ve only visibly bumped one of them off in an unpleasant way, and he was irredeemably horrible so he doesn’t count! In short, I have a whole clan of friends stomping around my brain and I’d miss them if they weren’t there. I do sometimes think I should charge them rent but they are mostly quite tidy people and they do pay me back with their stories. I sometimes feel that my characters are actually dictating the tales to me, which is just a tad worrying (on account of the fact that they don’t exist). I remember one episode of Mayfly which unravelled itself in a far different way that I’d got planned because Jim and Amanda had other ideas. After eleven books I should be used to this but when Lois, on the spur of a moment, made what amounted to a major decision in “The Reed Cutter,” I was pretty much completely blind sided by it. Each time I read through during the edit process I thought “Did I actually write that?” but was put off changing it by Lois (who, let’s remember is a fictional character) peering menacingly over my shoulder. But it’s OK, Lois, it’s still there as you dictated it to me and as, no doubt, it really happened in the space that you occupy in your world! Likewise when Coleen steps up to the mark to honour a promise, it was pretty unexpected. I just went with the flow on this one, deciding that it wasn’t such a good idea to annoy Coleen who seemed to have enough on her plate. Such is the case with each of the other books, which could well end up sending me completely bonkers. Then again maybe I always was.

Vee, by Michael Nye

Askatasuna, by Michael Nye

Counting Freckles, by Michael Nye

The “Mayfly” family of books so far are; Mayfly, Here we Go! Emily’s Journey, Nearwater, The Ballad of Masie and Linda, The Reed Cutter, Maze Days, The Mayfly Children, Vee, Askatasuna and now (Just out) Counting Freckles. All of the books have river, canal and even a little bit of seawater flowing through the thread of the story, but I do hope that their appeal goes beyond their being books for waterways enthusiasts. They are available from my website www.michaelnyewriter.com (which has links to the Lulu independent online bookstore as well as Amazon and Kindle). I chose to point the website towards Lulu as the main store because they are such a helpful company both in sales and publishing my work.

signs from the times

signs from the times

the meanings of signs and symbols

Throughout the years, people have been looking at or following signs of some description since the early days of cave drawings to the present day emoji computer age.

Without noticing them, they surround us in our everyday lives, but how did we get them, and what were the earliest designs and who decided what they would be?

When you look back through various eras, from early cave dwellers to Romans, from ancient Greeks to Aborigine tribes, from Egyptians to Indian tribes in North America, they all have one thing in common: at one point they have all used signs to teach, communicate or instruct.

The Egyptians developed a complete alphabet made up from hieroglyphics to explain about their culture and dialogue, depicting markings on tombs and monuments throughout the land, something that is still looked on as mysterious in today's modern world.

Because the nature of signs and symbols is vast, there are many genres that are represented by various shapes and sizes, most of the signs have good intentions, but there are also pagan and satanic symbols that leave people frightened and feared, signs related to witchcraft, demon worship, black magic and Voodoo have deep roots in human history.

Because of the intensity of the meaning of signs, we at Bearingtech can relate to the importance of understanding the use of signs, especially in engineering as they are a common part of understanding how a piece of machinery works, signs tell you to push, pull, turn and hold etc.

Another mass of signs and markings that are seen and used everyday by millions of people, is the Highway Code, and yet we take it in our stride. How many people see the signs but do not fully understand their meaning, is it because we see them on a regular basis and it sinks into our psyche without realising?

Over the next few pages we are going to look at some of the earliest and most common signs that have been drawn or designed, from the earliest cave drawings to emojis, which are the latest in a line of signs.

Probably the best-known set of signs are the astrological symbols of the zodiac, many people consult these signs on a daily basis each day without knowing the true meaning of what the signs mean.

Early cave drawings were probably the first signs or symbols to emerge from the human form, spread over every continent, signs can be clearly seen as a type of communication between early tribes and cave dwellers. Drawings showing animals, times of the years, hunting scenes, signs of royalty and wealth are all represented on the walls of the darkest remote caves.

early cave drawingsSome of these cave drawings are mentioned by the famous author Erich von Daniken who wrote the controversial book, The Chariots of the Gods, in the book he explains that he has travelled to every part of the world studying cave drawings and discovered that one single drawing showed a sign that was identical on all continents, the sign he was referring to is pointing to the sky with people bowing down as in the presence of a God descending from above, the question is, is this showing a higher force in the universe visiting the earth? According to von Daniken “ why would an African tribesman draw the same drawing as a cave dweller from Scandinavia, they have net met, yet draw the same image”, is this a sign that an alien craft visited?

The controversy started when the author asked the question, “ Was God an astronaut?”

The Astrological Star Chart

Rebirth and Beginnings

Taurus

Fertility

Gemini

Duality, inner unfolding and Family

Symbols and Signs - Cancer

Antagonism of the body and soul

signs and symbols - Leo

force of life

Signs and symbols - Virgo

Labour

Signs and Symbols - Libra

Harmony

signs and symbols - scorpio

Destruction and Rebirth

Sagittarius

Higher Consciousness

Signs and symbols - Capricorn

Wisdom

Signs and Symbols - Acquarius

Revolution and Wisdom

Signs and symbols - Pisces

Division

The above signs are depicted throughout human civilization and represent every person that is born within a particular month. Have you ever wondered why? How can these signs count for 6.7 billion people on the earth and be relevant to thousands of people on a daily basis?

According to records, the astrological star charts started between 409 and 398 BC during the Persian rule and represent the twelve 30 degree sectors that make up the Earth`s 360 degree orbit around the sun.

Although many people believe in the findings of the signs, there are many who think it is nonsense. Yet there are many people who will not venture outside of their properties and go about their daily lives without consulting their star sign first.

Early Egyptian Hieroglyphic symbols

For many years, explorers and archaeologists encountered tombs and monuments across Egypt which depicted strange and unusual signs on the walls of possible burial chambers. For years they struggled to identify the meanings of the figures, before Jean- Francois Champollion discovered the structural logic of the figures in September 1822.

Egyptian Hieroglyphics

Egyptian hieroglyphics on the outer wall of a tomb.

Egyptian Hieroglyphics Symbol chart

Egyptian Hieroglyphics Symbols

The Egyptians were one of the first civilisations to use images as a form of expression. Hieroglyphics were used to educate and inform, and were used for centuries. They are seen as a secret code amongst archaeologists throughout the world. The majority of the drawings are depicted in an animal form, something that the Egyptians worshipped throughout their lives and thereafter into the afterlife.

Heka was the earliest known God, and was known as the most dominant force in Egyptian culture. Myth has it that he laid the egg to start civilization for both mortal and divine life, therefore pre-dating all other Gods. He was known as the God of magic and medicine and enabled the art of creation.

Legendary explorer and Egyptian specialist Howard Carter was probably the first well- known European man to highlight the importance and understanding of the images when he embarked on his quest to find the tomb of the young Egyptian King Tutankhamun.

Inscription on the tomb of RamesesFor years explorers dug relentlessly to uncover various tombs across Egypt, only to be stumped when they came across the imagery that was laid out before them. Many believed that the drawings were some sort of curse and that they would suffer if they entered the space illegally.
Once the hieroglyphics were examined and explained, the contents were more understandable and became accessible to the seekers, and less suspicious and frightening.

With over 2000 deities in the Egyptian pantheon to choose from, the treasure hunters had plenty to keep them busy, especially as many of the Gods' tombs were still undiscovered and most importantly, untouched and packed with artifacts.

The tombs of most Egyptian Gods were seen as a treasure hunter's dream, as the riches that they amassed throughout their reigns were seen as an incredible incentive to search for years, sometimes without reward but plenty of disappointment and sadness.

The important Gods on the archaeologist`s wish list would have included Ramesses II, Osiris, Isis, Ra, Cleopatra and the ultimate treasure hunter's dream, Tutankhamun.

Tutankhamun

Tutankhamun is the best-known Egyptian King; virtually everybody in the modern world has heard of, or has knowledge of the teenage King.

After Howard Carter's discovery in 1923, the whole world saw the riches and treasures that were enclosed in the now famous tomb, everything from thrones to chariots, jewellery to mummified animals were placed inside the chamber, riches that had to be seen to be believed.
The list of items found inside the tomb is actually staggering.

On a personal note, I have seen the collection in the Egyptian museum in Cairo and it is something to behold; to see these treasures up close is absolutely staggering, with the attention to detail that was placed in creating these masterpieces being incredible, considering the era that they were made in.

We only managed to spend around 4 hours inside the museum. To be honest, a week would not be enough, as you tend to walk around pointing out all manner of things that are astounding.

Artefacts inside the tomb of Tutankhamun

Artefacts inside the tomb of Tutankhamun

Tutankhamun mask

Tutankhamun

The list consists of the following items…

Death mask, Iron daggers, board games, garment mannequin, golden sandals, gold coffin, throne, chariots, trumpets, statue of Anubis, jeweled breastplates, wall paintings, ivory covered box, canopic jars, mural of himself and his wife, cups and goblets, jars, Shabti statues, an animal related bed, diadem, gold hunter statue, model boat, gold jeweled box, buckles, headsets and many more artifacts.

Sadly most of the items that were placed outside of the burial chamber have been stolen by grave robbers and unregistered collectors, although it is a criminal offence to remove any possessions without permission. Most Egyptians see it as a crime against their country to remove the artifacts.

Tutanhkhamun hieroglyphics

Tutankhamun Hieroglyphics

Egyptian God Heka

Heka

Isis

Isis

Cleopatra

Cleopatra

Ra - Egyptian God

Ra

In 2010, a research report discovered that Tutankhamen’s parents were in fact related, his mother Queen Nefertiti and his father Akhenaten were cousins. The King himself was involved in an incestuous relationship, having married Ankhesenamun, who was the daughter of his father, making her his sister. Many historians believe that the inbred relationships throughout the royal family resulted in the young King's club foot.

Fascinating fact: A dagger that was found inside the tomb of Tutankhamun was made of an unusual material, after extensive research it was discovered that the item was made from a meteor, making it not of this Earth.

Heka

Heka was known as the first Egyptian founder God, considered to be one the makers of the world. According to Egyptian history, in the beginning before creation, there was nothing but darkness, only the God Nun and the dragon Apep existed. As the first light appeared, ancient Egyptians associated the change to Heka, and believed that the phenomenon was magic; hence the word Heka is known as “magic” throughout the ancient world and Egyptian mythology. Every single magical being in the world, including Gods, Dwarves, Witches, Warlocks and Trolls, have their own magic and are seen as supernatural to humans.

The early Egyptians believed that magic could be performed by the Gods, but only inside their temples and shrines. They did not see hieroglyphics as magical, but saw them as letters, unlike the rest of the world who looked upon the mysterious signs as magical, possibly containing curses which brought death and destruction to anyone who disturbed or disrespected them.
This misunderstanding of the hieroglyphics was one of the biggest mistakes in the understanding of the signs.

Isis

The Goddess Isis became one of the most worshipped deities in Egyptian culture and as her name translates into the Queen of the Throne, she is seen as the Virgin mother, due to the arduous labour that she endured with her son, something that the Virgin Mary is compared to.
She was also the Goddess of devotion, compassion and kindness, and was rumoured to have the power to resurrect the dead and cure the sick. She is also connected to floods and flooding through the many tears that she shed over the death of Osiris.

Alongside her husband Osiris, she ruled the early world after its early creation and started to introduce and educate mere mortals into the crafts of agriculture, art and civilised society, as most men and women were seen to be uncivilised. However Set, who was the brother of Osiris, became jealous of his brother and sister-in-law`s popularity amongst the people and decided to take the throne for himself. He first tricked his brother to lay in a coffin, which he duly locked and had it thrown into the river Nile before taking over the throne. On hearing this, Isis began searching for the coffin, which ended up in a tree in Byblos. After negotiating with the powers that be, she managed to retrieve the coffin and started the procedure of reviving her husband.
Set heard of her plans and stole the coffin back, where he had it chopped into pieces, with Osiris still inside and scattered the remains across the land, probably initiating the first hung, drawn and quartered ritual.

Cleopatra

Like Tutankhamen, Cleopatra is seen as one of the most recognised Egyptian goddesses, and has been portrayed in countless books, films and TV shows throughout history. Whilst she was born in Egypt, her family origins are traced back to Macedonian Greece, but over the years, she embraced the Egyptian culture and became a Queen to the masses.

Throughout the years, Roman propaganda painted her as a temptress who used her sex appeal as a political weapon, but she was known amongst her peers and people to be highly intelligent. She was able to speak a dozen languages fluently and was educated in mathematics, philosophy, oratory and astronomy. As far as being a raving beauty, the reality of her looks were misgiving: on paper and coins she is portrayed as having manly features with a large hooked nose. Some say that she instigated these images to project a strong masculine line of authority when dealing with generals and politicians.

Although seen in the history books as being demure and feminine, she had a strong stomach for conflict and battle, and had her siblings killed after they were seen disagreeing with her decisions. She is always seen as donning a headdress with an asp sticking from the front, but according to belief, she was not killed by an asp, but like her lover Marc Anthony, she committed suicide with poison.

In 1963, the motion picture “Cleopatra” was put into production, with an initial budget of $2,000,000 dollars and starred Elizabeth Taylor. After enormous amounts of money was spent, the final outlay for the studio was close to $44,000,000 dollars, which nearly bankrupted the company.

Fascinating fact: Bastet is the daughter of the sun God Ra, and is the God of cats, women`s secrets, fertility, childbirth and the protector of evil from the home, she is often depicted with a cat's head on a woman`s body.

Ra

The Egyptian God Ra, was one of the most revered deities in ancient mythology, and was often shown as a falcon headed God, with an orb shape on his head symbolising his connection to the sky and the sun.

Many know him as the sun God and he is believed to be the creator of humans and creatures after forming them through the fall of his tears. He is known as the creator of the sun and creation.

Ra was often linked closely with the sun's daily journey across the Sky; as the sun began to fade, he drew weaker and supposedly travelled to the underworld throughout the night, recharging his energies defeating enemies and obstacles, before rising again in the morning as the sun rose.

Other Egyptian Gods and Goddesses include Bastet, Anubis, Horus and Cavern deities who were a group of Gods in the caves of the underworld who punished the wicked and helped the souls of the justified dead. They are mentioned in the Egyptian Book of the Dead and are often seen as serpent like creatures.

The people of Egypt would leave bowls of offerings outside of caves as a gift to the Gods, something that continues to this day.

Roman Symbology Signs and Meanings.

Like the Egyptians, the Romans were a cultured and educated race of people who used the images of symbols and signs to great effect. Many Roman buildings were daubed with religious and ceremonial symbols depicting which Emperor or God dwelled in the residence.

Many roman Gods and Goddesses were depicted in the form of a symbol or sign, literally from the highest emperor to the lowest deity, equaling the same effigies that the Egyptians and the ancient Greeks had attached to their own burial tombs and monument buildings.

Shown below are the signs that represented the Roman Gods and Goddesses

signs and symbols - Apollo

Apollo

Signs and symbols - Neptune

Neptune

Signs and symbols - Mars

Mars

Signs and Symbols Venus

Venus

Signs and symbols - Diana

Diana

Apollo

The five signs shown above are associated with probably the best-known Roman gods, but do we know what they represent? For example most people have heard of Apollo and recognise the name because of the NASA connection with the space expeditions, but did you also know that Apollo is the God of music, poetry, art, archery, plague, medicine, sun, knowledge and light and is associated with the moon, hence the NASA contact.

Romans also worshipped him as an agricultural God for fending off diseases for animals.

The Greek equivalent is Sol.

Neptune

Another well-known Mythical God is Neptune, who is depicted as the God of the sea and freshwater, mostly due to his appearance in films and TV series where he is seen rising from the depths of the ocean with his trusty trident to help sailors in distress or to ward off any evil doings connected with the ocean.

His consort, Salacia is the goddess of sea water, hence the salt in the oceans and seas named after her.

According to myth Neptune and Minerva created the chariot and has the planet Neptune named after him.

The Greek equivalent is Poseidon.

Mars

Mars is another God who is well known because of his connection with war, but is also recognised as being the God of agriculture and prosperity and is represented by the symbols of a wolf, woodpecker and horses.

Mars was also the father of the famous twins Romulus and Remus (their mother was Rhea Silvia). He was known also for his passionate affair with Venus, an affair often described as one of the most famous romantic liaisons in Roman history.

The planet Mars and the month of March are named after him.

The Greek equivalent is Aries.

Venus

Venus on the other hand is probably the most painted goddess throughout the art world and is always connected with beauty and love, sexuality and, strangely, gardens. She is regularly seen emerging from water.

Married to Vulcan, she had her first temple built at the Roman forum from the fines that Roman men paid for sexual misconducts.

Julius Caesar is said to claim that he was one of her descendants (through her son Aeneas).

The Greek equivalent is Aphrodite.

Diana

The twin sister of Apollo is Diana, known as the huntress as she is always seen with a bow and arrow. She is the goddess of the countryside, hunters and the moon. She is also associated with fertility and childbirth and is the protector of women in labour.

The Greek equivalent is Artemis.

signs and symbols -Vulcan

Vulcan

Ceres

Ceres

Mercury

Mercury

Vesta

Vesta

Minerva

Minerva

Vulcan

The Roman God Vulcan is the god of Volcanoes and forging and is the husband of Venus. He is associated with heat, fire and the forge which are all connected with the earth`s inner core. This is depicted in the sign showing a V shape, which represents the inner scale of a volcano.

The Greek equivalent is Hephaestus.

Ceres

Ceres is the Roman god of agriculture, fertility and motherly relations and is credited with the invention of ploughing, sewing and the nurturing of seeds - items that were gifted to humans.
The sign shows a scythe type symbol, which captures the imagery of farming.

Romans celebrate a festival called Cerealia, which is where the word for cereal comes from.

Mercury

Probably one of the better-known Gods is Mercury, who is known as the messenger of the gods, but is also associated with communication, travellers, merchants, trickery and thieves. He is also responsible for guiding human souls to the afterlife after they have deceased.

There are many newspapers across the World that have the word Mercury as a masthead, keeping up the communication aspect with readers.

The planet Mercury and chemical element are named after him.

The Greek equivalent is Hermes.

Vesta

Vesta is the goddess of the hearth and home and is rarely seen in human form, usually shown as fire, which why she is associated with fire and heat. Her temple at the Roman forum was off limits to all, except priestesses who were known as Vestal Virgins. They were instructed to keep a fire burning in the entrance to the temple to ward off any intruders; the fire was to be kept continually alight.

A well-known brand of matches was named after the goddess, i.e. Swan Vesta.

The Greek equivalent is Hestia.

Minerva

Minerva is known for her wisdom, strategy, craft and trade, defensive war and knowledge, which is why her symbol is shown as an owl representing wisdom.

Legend has it that Vulcan split open the head of Jupiter to try and ease his headache, and on doing so released Minerva, who was fully equipped in a full set of armour.

The Greek equivalent is Athena.

signs and symbols Jupiter

Jupiter

signs and symbols - Juno

Juno

Bacchus

Bacchus

signs and symbols - Saturn

Saturn

Cupid

Cupid

Jupiter

On equal terms with Zeus, Jupiter is seen as the Roman God of the sky, he was king of the gods before Christianity became dominant, his animal symbol was that of an eagle which became the emblem of the Roman centurion legions and later the Nazi party in World War 2.

The Greek equivalent is Zeus.

Juno

Juno is the wife of Jupiter and the patron Goddess of Rome and fertility and was associated with all aspects of women`s life, particularly in marriage.

The Greek counterpart is Hera.

Bacchus

One of the best known Roman Gods is Bacchus, the God of wine. He is best known throughout the world for the connection to wine, grapes and happiness. He was also associated with sensual pleasures, theatre, horticulture and truth, amongst others things.

The symbol depicts a bunch of grapes and a glass.

The Greek counterpart is Dionysus.

Cupid

The best known Roman god sign is undoubtedly Cupid, constantly linked to romance and love, the sign depicts an arrow piercing a heart, meaning that someone or something has touched your heart.

Cupid is also the God of passionate desire, passion, erotic love and attraction and affection, and is constantly used throughout the modern world in displaying love and affection for occasions such as Valentines Day.

The Greek counterpart is Eros.

The Greek Gods and Goddesses

Zeus

Zeus

Poseidon

Poseidon

Hermes

Hermes

Ares

Ares

Dioysus

Dionyssus

Like the Romans, the Greeks believed in the power of their Gods and had either their own variety or the equivalent of their Roman counterparts. Each deity represented a particular field, and like the Romans they were often the gods of more than one subject.

Zeus

Zeus is the most powerful of all the Greek Gods. Virtually everything stems from him and he is known as the King of the Gods, and the ruler of Mount Olympus as well as being the God of the sky, weather, thunder, lightning, law and order, and justice - to name a few.

The sign that is associated mostly with Zeus is a lightning bolt being held in a fist.

The Roman counterpart is Jupiter.

Poseidon

Poseidon is one of the most recognised Gods, often depicted in films as a giant bearded man emerging from the sea with a trident in his hand. Similar to his Roman counterpart Neptune, he appears in epic films that tell mythological tales like 'Jason and The Argonauts' and the 'Sinbad' stories.

As per many of the Gods, he represents other subjects including being the God of the sea, rivers, floods, drought and earthquakes.

Interesting Fact: In ancient myth, Poseidon supposedly rapes Medusa, which leads to her transformation into the hideous Gorgon, resulting in snakes emerging from her head, turning mere mortals to stone if they were to gaze in her direction.

Hermes

The name Hermes is now associated with the courier company who are known for delivering parcels and packages. They have recently changed their name to Evri. But did you know that the Greek God Hermes was the God of boundaries, travel, trade, language, writing, cunning and thieves? He is also associated with fertility, music, luck and deception.

The sign of Hermes like his Roman counterpart, shows wings on his ankles, and is a sign for carrying messages and messengers.

Ares

Ares on the other hand was the God of courage, war, bloodshed and violence and like his Roman counterpart Mars, is seen as an all-powerful deity that is always portrayed as big, bold and loud, just like conflict.

The sign for Ares is similar to that of Diana (the Huntress) being the round circle with an arrow, which equals a bow and arrow during a battle.

The animals that are associated with Ares are vultures for patience, snakes for stealth, dogs for loyalty and bears for strength.

Dionysus

The Goddess Dionysus was known for something completely different from Ares, conducting a more refined set of subjects, topics such as wine, parties, festivals, chess, drunkenness, ecstasy and the theatre to name a few. Similar to the God Bacchus, her symbol is depicted as a bunch of grapes, but without a glass.

Aphrodite

Aphrodite

Athena

Athena

Hades

Hades

Persephone

Persephone

Artemis

Artemis

Aphrodite

Probably one of the best known Greek goddesses is Aphrodite and she is always associated with beauty, love, desire and pleasure. She is seen as a symbol of romance and cleanliness, like her Roman equivalent Venus. She is often described as purity and innocence and is connected to roses and scallop shells.

Athena

Athena is the Greek Goddess of reason, wisdom, intelligence, skill, peace, warfare, battle strategy and handicrafts. Like Minerva, she is often seen with an owl, which is a sign of wisdom.

Hades and Persephone

Hades and Persephone have a big connection with each other: firstly Hades is known as the King of the Underworld and is associated with all things evil, including translating his name into Hell.

The story connecting the pair is fascinating. According to legend, Hades was obsessed with Persephone and duly abducted her. After taking her to the underworld, where she held the title of Queen, she agreed to stay on one condition, that half of the year she would spend under the ground in the world of the dead, and the other half of the year she would spend above the ground in the living world with her mother.

Her symbol shows the difference between light and dark, representing earth and hell.

Cerberus, Greek dog who was guardian of the underworldHades' symbol is seen on many ancient military armies across the world, and apart from being known for the underworld connection, he is also known as the King of the Dead and wealth.

He is often seen with his three headed dog called Cerberus, the guardian of the underworld.

Hades' Roman counterpart is Pluto

Artemis

Artemis is known as the Goddess of the hunt. Like her Roman counterpart Diana, her symbol is depicted as a bow and arrow, and she is also connected with the wilderness, animals, the moon and young girls and is associated with the deer.

Hera

Hera

Demeter

Demeter

Hestia

Hestia

Hephaestus

Hephaestus

Hera

Hera is the Queen of the Gods, and is the Goddess of the skies. She is the representative of women, marriage, childbirth, heirs, kings and empresses.

Hera is the wife of Zeus, and although she was the goddess of marriage, the stress and heartbreak she suffered after many of her husband`s infidelities, caused her to be associated with jealousy and regret.

She is often seen  wearing of a diadem and a veil.

Her Roman counterpart is Juno.

Demeter

Demeter is the Goddess of grain, agriculture, harvest growth and nourishment. These are shown by the symbol of a scythe, which also has a connection with farming.

She is often seen with sheaths of wheat, a winged serpent and as carrying a lotus staff.

Hestia

Hestia is known as the Virgin Goddess of the hearth, domesticity and chastity. She is the Greek equivalent to Vesta and is often depicted with the symbol of a hearth and a kettle.

Hephaestus

Hephaestus is the God of fire, metalwork and crafts and is the representative of ironmongers and forges. Married to Aphrodite, he is the Greek counterpart of Vulcan who was connected with volcanoes.

This is the first part of Robert Grindley's article on 'Signs from the times'. In the next and final part, to be published soon, he looks at signage from the Aborigines to the modern day computer world.

hannah pierce

featured author of the season - summer 2024

hannah pierce

Hannah Pierce trained as an actor before writing, producing and performing in theatre for young people and adults across the UK and abroad. She has worked a number of roles since, but a common thread of presenting live arts is always central to her career.

Alongside her “real job”, Hannah has written for the stage, and her one-woman show on the valiant adventures of an online dater received critical acclaim. All Boats Are Sinking, her first book, is a memoir of love, life and chaos on a narrowboat, perfect for fans of Dolly Alderton, Helen Fielding and Phoebe Waller-Bridge, which has been called "a vibrant, often hilarious emotional and physical journey” by Ian Moore, author of Death and Croissants and “heart-warming, hilarious and honest” by actress Michelle Dockery.

Hannah Pierce on board narrowboat

hardstanding in snow

After a break-up, some hit the gym; some cut their hair; others have a one-night stand. In the aftermath of her break-up, Hannah bought a narrowboat.

Finding herself newly single aged thirty she knew she needed a fresh start. Forced to move out of her boyfriend’s flat her options were limited: move back to her parents, live in a flat share or spend all of her disposable income on renting solo. Instead, in an attempt to claim some independence and a semblance of control in her life, she made the fateful decision to buy a boat…

Newly single and plunged into life on the water, we follow Hannah as she quickly learns to live with Argie Bargie, her 45-foot narrowboat. In this compelling account of her slightly chaotic but certainly never dull life aboard, we follow Hannah as she tries to hold down a hectic career and social life while learning to navigate the strange new world on the waterways of London. Getting to grips with the intricacies of boat life, including exploding toilets, disappearing hulls, and the curious glances and questions from pedestrians on the towpath, Hannah discovers how empowering living alone can be while also being surrounded by a brilliant group of friends. All this as she tries to balance the tension between owning her singledom and giving in to a deep desire to find love.

However, when a turbulent relationship with a senior colleague and the advent of the Covid pandemic coincide and threaten to sink her, Hannah feels the need to escape. Sniffing out an opportunity for adventure, and in a bid to let go of the past and find her true self, Hannah embarks on a 250-mile odyssey from the bustling streets of London to the tranquil yet dramatic waterways of West Yorkshire. The nature of travelling by boat means that progress isn’t the fastest, and so as well as navigating 357 locks, including some of those in the infamous Huddersfield Canal, Hannah trains for and competes in a socially distanced marathon, and embarks on adventures with old friends – and some surprising new ones (hello, Tyson Fury!).

Discovering the beauty of the different canals and waterways across England, and the ever-changing landscape, Hannah writes beautifully about the pull of the water and the calming nature of life so close to it. As winter approaches and she nears the end of her journey, Hannah allows the ups and downs of the last 4 years and her empowering journey north to really sink in and arrives in Todmorden for her winter mooring stronger and more confident in who she is than ever before.

Peppered with entertaining lists, recipes, maps, footnotes and diagrams, and spanning hundreds of miles of the British waterways, All Boats Are Sinking is an uplifting and often hilarious story of adventure and personal growth, and of a woman trying to keep her boat and life afloat. And to answer that perennial question: yes, it's cold on the boat in winter.

book - all boats are sinking

interior of a narrowboat

narrowboat cruising

Here is an extract to give you a flavour:

Becoming accustomed to my home was a joy. I’m a master at pottering and I took great care in unpacking and arranging my belongings, stopping to enjoy a cup of tea out on deck, or to reposition my chilli plants in order to receive the most light in the ever-changing position of the stern.15 Coming home to a new location after a long shift at work was something I looked forward to immensely, as I discovered new areas of London and their Tube and Overground stops. I would chuckle to myself at the brief ownership I felt over a new neighbourhood, even if it was only mine for a few days. I would spot other boaters on the trains, casual creatures amongst the hordes of city workers and nighttime revellers. They were instantly recognisable with their grubby fingernails, fantastic tans, worn boots, loose shirts and a cork keyring hanging from their frayed pockets.

I moved the boat a lot in those first few weeks; short moves, occasionally with friends and more often than not with Megan’s assistance. My aim initially was to head east, where I could enjoy the remaining summer months near my work and Megan’s boat. From Alperton in West London, I journeyed through Kensal Rise and Little Venice, delighting every time I managed to complete a move without incident, and filling up on water with a hose trailing from a tap on the towpath to the bow of my boat where the tank is stored. With Megan on board, we tackled the Maida Vale and Islington tunnels, cruised through London Zoo and Regent’s Park and scaled the trio of iconic locks at Camden flanked by footbridges and hundreds of tourists and sunshine seekers. We travelled through the trendy neighbourhoods of Haggerston and Broadway Market and I took mental notes of all the places I wanted to stop for longer next time I passed, whenever that might be.

I would stand at the tiller with my support bubble of friends, chatting about everything and anything. We’d start the cruises with tea and biscuits, and end with a barbecue and beers on the roof, bringing candles out to keep the mozzies away and wrapping up in blankets as the sun set on another beautiful day on the canal network of London. When my friends were gone, I closed up the doors to the world outside and embraced being alone inside the boat. I had become used to being in close proximity with towpath users. No longer self-conscious, I felt comfortably hidden within my home and enjoyed overhearing snippets of conversation from those who didn’t know I was so close.

I was forever repositioning my belongings. It had become clear that everything I owned would have to be on display and the careful placement of kitchen utensils and books, toiletries and tinned food was key to creating the boat’s warm ambience. There was no room for untidiness. I bought pot plants from Mare Street florists to fill every spare surface. My personality couldn’t hide on Argie, and I was enjoying discovering how both the boat and I were evolving in that regard.

Sleep had never been so peaceful. The evenings would turn in as the canal-side activity calmed. Boats stopped moving through, and the birdsong quietened. With limited electrical appliances at home to distract me, I was going to bed earlier and sleeping deeper. The boat’s movement rocked me into my slumber. It was humbling to wake up in bed, so close to the water and canal wildlife.

This was not only my first boat, but my first time living alone, and I was enjoying every minute of it.

Hannah PierceFollowing the publication of All Boats Are Sinking (Summersdale Publishers), Hannah looks forward to taking on her next writing project, and intends to find inspiration through her imminent foray into a little-known thing called “motherhood”. She now lives in South London with one foot still firmly rooted on Argie – moored somewhere in the UK.

Hannah's book is available from Summersdale Publishers as an e-book or in Paberback. It is also available on Amazon.

jan vallance

featured roving canal trader

Jan Vallance - The Art Boat

I suppose I was always going to end up on the canals.  I just didn’t know it. When I was young, I used to play near the canal, and it was the route I took when walking to visit friends. The canal has always fascinated me. I even remember riding my bike along the frozen Peak Forest Canal one year to see a friend.

My mum’s house backs on to the canal so back in 2010 when I was looking for somewhere to live with my children after selling our house, she suggested a boat at the bottom of the garden. I needed no persuading. That was where I moored for the first few years. Nowadays, children having flown the nest, I continuously cruise.

narrowboat on the move

jan vallance with painting

I have lived on my boat for around 14 years now. I travel much more during the spring and summer as that’s when the festivals and floating markets are. In the winter I tend to stay in a smaller area, generally the North West to be nearer family.  My boat is my home, studio and gallery.

I love the winter on my boat especially when it snows. It’s really magical then and snow scenes are one of my favourite subjects to paint.

I never feel lonely. In the spring and summer, I often travel with others who are heading to the same market or festival. I might spend a couple of weeks with another boat and then not see them again for a few months as they’re on a different route. Lots of hellos and goodbyes, but I love it. Last year I travelled from the Llangollen canal through Yorkshire with the Hippie Boat for the whole season, that was a fabulous experience. The Yorkshire canals had not been on my radar before then.  I’ll definitely be going back for another dose of those inspiring canalscapes.

Three years ago I was joined by Lily.  A lovely little rescue dog from Macedonia.  It took her a while to settle, but she is becoming the perfect studio and boat dog.  She encourages me to get out and explore the areas where I moor.

The Art Boat

art studio in narrowboat

I started painting canal scenes 10 years ago, around the same time I got my trading licence and joined the RTCA. Before that, my subjects and styles changed quite frequently. When I began painting the canals and waterways, I didn’t expect to still be doing it now, but I’m hooked. The canals wind through cities and countryside, forming beautiful green corridors or industrial landscapes. With the changing seasons, diverse wildlife, and the people who use the canals, the opportunities for paintings are endless.

Getting my trading licence changed everything. I was suddenly presented with a means to sell my work and be inspired be the changing seasons and locations while I was doing so.  How many artists get to travel and sell their art in person? I still can’t believe how lucky I am to have found this way of life.

snowy canal scene

Two of my paintings - a snowy canal scene and the Pontcysyllte Aqueduct on the Llangollen Canal.

pontcysyllte aqueduct

I’m a member of The Guild of Waterway Artists.  The Guild is a collective of artists who specialise in capturing the beauty and essence of the UK's inland waterways. Established in the 1980’s, the guild aims to promote and exhibit artwork inspired by canals, rivers, and other inland waterways.  I’ll be exhibiting  with other Guild artists at Braunston Historic Boat Rally at the end of June.

I sometimes get asked why I don’t have any artwork actually painted on my boat. I do occasionally think it would be nice if my art spilled over into my boat’s exterior and interior, but I have never really been someone who needs to be in a beautiful space. I wake up thinking about paintings and making them, but don’t feel an urge to decorate the place I work in with my art. That doesn’t mean I don’t care about the space I work in, but I can turn any room into a workspace. I become oblivious to my surroundings when I’m working. Places for me become somewhere to create, and I leave a trail of finished and unfinished projects everywhere I go.

I like the fact that my artwork is only temporarily mine. I become very attached to a piece during the painting process, but then once it is finished it goes on to be someone else’s story. I like to think that people can make an emotional connection with my art, whether it evokes a memory of a place or a particular feeling. Many of my paintings reflect my journey on The Art Boat, but I hope that for anyone viewing the scene, it becomes their journey too.

jan vallance artist

I trade as The Art Boat. You can view my work on my website, or in person by visiting my events page and finding out where I will be. This year I am extremely excited to be taking part in Brinklow Marina’s first Arts Week from Saturday 13th-Sunday  21st July.

Visit my Website… or follow me on Facebook

Brinklow Marina Arts Week
The Guild of Waterway Artists

what’s that smell?

the boating bard

what's that smell?

 

Goodness me what's that smell?
Where's it coming from ?
We didn't have eggs for breakfast
But something don't half pong

Is it coming from the bin?
Or perhaps the toilet's full
Or maybe it's the sink
Is there water in the hull?

Have you looked inside the fridge?
Or checked the washing basket?
Do you think that it's electrical?
Did we have the wood stove lit?

Is it something in the canal?
Are the radiators too hot?
Did we leave the pots last night?
Have we got more fruit bowl rot?

 

 

eggs with faces

 

Is there gunk in the shower trap?
Are we passing a local hatchery ?
No it's coming from the engine bay
We've cooked another battery

 

paul robert watson

featured author of the season - spring 2024

paul robert watson

How it all came about is a little hazy. At some point, I must have agreed to the idea of a narrow boat holiday. Certainly, I was not the prime motivator and red wine was probably involved.

So it was that I found myself in a darkened room watching an instruction video on the basics of boat handling, how to negotiate a lock, mooring a vessel and the like.

That was Easter fourteen years ago at Market Harborough, then the base for hire company Canal Times, With me were my wife, Sue, and daughter, Rosie, her friend, Hannah, and her mum and dad, Linda and Dean.

Although we didn't know it at the time, we were about to embark on a journey that would lead us to travel, if not the length and breadth of the waterway network, then large sections in the north west and Midlands.

We emerged blinking into the daylight, were shown a model of a lock, then ushered aboard Hartley's Best, carrying our gear for a four-night trip. Briefly we were informed of the boat's operation. Push the throttle lever forward to go forward, back to go back; steer left to go right and visa versa. Oh, and reversing is tricky, but you'll get the hang of it. Honestly, to this day, I never really have.

Our instructor rather hastily stepped off at the entrance to the marina and we were left to our own devices.

The secret of happy cruising, at least in the early stages, is that you have to be prepared to leave your dignity on the quayside. Forget about looking nonchalantly professional like a seasoned boater and embrace the laughter you will inevitably hear from the gongoozling crowds, just like I did.

Yes, I was the first to get wet, left clinging to a top rail while my feet dangled in the water. Why did the girls draw the blind as my face appeared outside the kitchen window? All I could hear was the sound of embarrassed chortles.

A swing bridge? All right, we can manage that. But who's getting off to operate it? The sequence, so blindingly simple, had to be worked out for our first effort.

Turning for the first time was also a challenge and the bottom of Foxton Locks is hardly the ideal place to learn. After a display of cringeworthy ineptitude, we managed to moor.

Paul Watson - Foxton LocksEven for experienced boaters, Foxton can be the cause for some head-scratching. Long, steep, with staircase locks, your readers will be all too familiar with the scenario. We read the instructions and, with the aid of the lock-keepers on duty, we made it to the top. It felt as though we had scaled Everest, such was the sense of achievement.

On we cruised. With no locks, this was easy. Through Husbands Bosworth tunnel, then a stride across the fields to the White Hart, all the while becoming more enamoured with this boating life.

A better executed turn and an excursion to Welford on the way home provided the crew with greater confidence and Foxton was negotiated without incident. After good food and drink at the Black Horse, we returned to Harborough.

The trip, as they say, had seemed like a good idea at the time. And it really was.

Within six months we had become shareholders in Sometimes, an Ownerships vessel. You'll be familiar with that particular sorry tale but the syndicate survived without incurring too many losses, unlike some less fortunate.

I had become a committed boater rather than an accidental one.

So why not employ some of the experiences, sights sounds and scenes in a story that I had long hoped to write?

And that's how Cut to the Chase became a reality.

the book

cut to the chase by Paul RobertsCut to the Chase, some of which is set on the canal network, is available as an e-book from the Kindle store.

It is an adventure story, in which the main character, John Clubb, finds himself at the centre of a web of police corruption and drug-running.

Part of the story is based in and around Braunston and the tunnel, of which I have personal experience, having been a canal boat owner for the last 13 or so years.

The basic premise is that Clubb is on the run from a gang of drug smugglers and a corrupt policeman. He escapes their attention but is pursued from Scotland to the south east of England and thence to the Midlands.

An ex-policeman himself, he is aided by a former colleague, Brian Digbeth.

He escapes on his old narrow boat, Longfellow, aboard which he attempts - very slowly, naturally - to evade his pursuers. The plot eventually takes him to Scotland, where he is able to assist the police in tracking down the drug-runners and corrupt officers. And, of course, there is a twist in the tale.

The novel is published as an e-book on amazon under the name of Robert Watson and will cost £2.35, although it will be available free for a limited period. A paperback version is planned if reaction is favourable.

Paul Robert Watson

Paul Robert Watson considers himself to be a Derby lad, as it was there that he spent his school days. Throughout his adult life, he worked as a journalist, working mainly as a sports journalist and editor.

He is a member of a syndicate which own NB Sometimes, currently moored at King’s Orchard marina, where she has undergone an extensive programme of renovation and repair.

He lives in Egginton, not far from Burton, with his wife Sue. They have a grown-up daughter, Rosie.

The novel is published as an e-book on amazon under the name of Robert Watson and will cost £2.35, although it will be available free for a limited period. A paperback version is planned if reaction is favourable.

Paul is happy for readers to contact him for more information.

Please call him on 01283 736383.