mooring lines
chapter two
Chapter 2
The mist came in low, dragging its soft belly across the canal until the water and sky were the same washed color. Sound felt smaller inside it—contained somehow—like the clink of a mooring ring or the far flap of a heron’s wings had been wrapped in wool. Paint on the cabin roof held beads of moisture the size of pinheads; when Ivy brushed past, they merged into tiny rivulets and slid to the gutter seam with a sound like a whisper.
Her fingers were raw from checking the stern line. She told herself she was only making sure, only learning the lines as she went, but the truth sat heavier in her chest. She had retied the cleat hitch three times before dawn, each time convinced the last attempt had been careless, or proud, or simply wrong. She did not want to drift away in the dark.
You keep checking the line because it’s something you can control, she thought, drawing the line through her palm until the fibers bit. You can’t tie a knot around grief.
She eased her weight back and tested the set. The line held, and the boat answered with a small creak of protest. That little sound steadied her. She looped the tail, tucked it neatly, and told herself to leave it be. The canal breathed against the hull, a slow exhale, as if the water itself found this morning tiring.
Inside, the kettle would be weeping under its lid by now. Tea might have been kinder than coffee to a nervous stomach, but coffee felt like armor, and she wanted armor. She stood with her hands against the cold cabin metal, letting the chill drain heat from her palms until the shaking she hadn’t admitted to slowed.
A sudden shout from two cyclists on the towpath broke the quiet. They arrowed past, leaving a wake of laughter and wet gravel crunch. Their voices unraveled into the fog almost as soon as they’d flung them, and the canal closed around the gap.
That was when she heard it. It reached her as a thread, almost too thin to notice, then caught and held notes slipping like dark fish just under the surface. Not some radio. Not the tinny leak of a phone. A violin.
The first phrase was a question with no words. The second sounded like weather coming in. A reel tried to start and thought better of it; the bow dragged a little too hard on the lower strings, then recovered into something that made the hair along Ivy’s arms lift. She turned her head toward the sound without deciding to. The towpath ran a gray ribbon beside the water; along it, the morning smelled of wet earth, diesel ghosts, and the sharp green of bruised grass. Ivy slid her hands into her jacket pockets and stepped down to the path, boots landing soft on packed grit. She paused at the end of her mooring just long enough to check the bow line, ridiculous, and then let the music pull her along.
She passed a boat painted a jaunty red with a kettle chiming faintly in its galley, then another with a garden of pots that someone had made, featuring serious rosemary, thyme, and a stubborn flower clinging to its greenery. A dog behind a curtain gave one dignified bark and let her go. The violin gathered itself as if it, too, were listening for her, and then the sound swelled.
He was perched on the roof of a black‑hulled narrowboat three moorings down, as casual as a gull on a rail. The bow faced into the slight flow, a thick line taking its fair share of weight around a metal bollard on the bank. He had one knee up, boot sole flat, the other leg stretched out. Long hair, dark and in need of a decision, fell forward until he shook it back with a twitch at the end of a phrase. The instrument sat with the ease of long practice in the corner of his jaw; the bow arm did not fuss, it drew.
Ivy stopped where the towpath narrowed a little, not yet close enough to feel like she’d made a choice. The music was not polished. There were places where muscle memory looked for a familiar road and found the towpath washed out. But there was something in the way he leaned into the low strings that made her chest answer. It felt like someone arguing with the morning and not minding if the morning argued back.
The bow stilled. It hovered for a beat, then he let it down onto his thigh with a sigh that didn’t belong to the fog. He lifted his head and met her eyes like a man glancing at a clock he already knew the time of.
“You always sneak up on people like that?” he asked. The voice had the scrape of late nights and the ease of someone who didn’t apologize for them.
Heat moved up her throat before she could tamp it down. “Sorry,” she said, hugging her arms tighter across her chest as if she could pull the apology back inside. “I didn’t mean to intrude. I just… heard you.”
One corner of his mouth crooked, but he didn’t commit to a smile. He slid the bow under the strings at the chin rest and laid the violin across his lap like a cat he didn’t entirely trust. “Not the worst crime.” His gaze ticked past her shoulder to the mist erasing the far bank. “You’ve got the look of someone new to this life.”
Her chin rose before her senses could catch up. “I grew up on that boat,” she said, tilting her head toward her mooring. It came out too fast, as if speed might be mistaken for certainty. He studied her for two seconds longer than was polite. His eyes weren’t unkind. They were doing a job, taking in the fidget at her cuffs, the raw line where line had run her palm, the careful way she held her weight like someone not yet fluent in the boat’s movement.
“Doesn’t mean you belong to it yet,” he said. Not cruel. Not even smug. Just a sentence carried forward by its own momentum. “Boats take more than blood to love you back.”
The words landed where she kept the soft things. She felt the little flinch, concealed mostly by the cold. He isn’t wrong. She loathed that thought immediately and then, annoyingly, admired him a fraction for saying the thing out loud.
“And you?” she asked, because retreat tasted worse than the question. “Do you belong here?”
He breathed a laugh through his nose. “For now.” He pushed his hair from his eyes with the back of his wrist and glanced down at the violin, as if it had given him a cue. “Until the road calls louder than the water.”
“Is that soon?” She surprised herself with the question. She hadn’t meant to invite more of him into her morning than the music already had.
His mouth tipped, that almost‑smile again, and didn’t answer directly. Instead, he set the instrument and bow in place with the quiet economy of habit. “Depends who’s listening,” he said, and let the bow drop to the strings.
The first note this time was clean as glass. It slid into a tune that remembered how to be a reel, then turned its face and became something older. He shifted on the roof with a tiny grimace as if his back had opinions. The boot heel started to mark time, not neat, not trying to be. Ivy stood there long enough to feel foolish for standing there. She made herself nod, the kind of nod that is both thanks and goodbye, and turned to go. The music followed anyway. It threaded the mist as if the fog were staves on a page only he could see.
By the time she reached her own stern, she wasn’t sure if she was bristling at his certainty or at her reaction to it. She rechecked the line, ridiculous, again, then stepped aboard and ducked into the cabin. The kettle had boiled itself into silence and now sulked. She poured anyway and watched the black ribbon curl through the mug. The galley window held a blurry rectangle of the world outside: grey water, ghost trees, the vague suggestion of him on the roof three boats down.
Boats take more than blood to love you back.
She set the mug down too hard. The clack of ceramic on wood sounded like a small admission. She pressed her palms to the counter and felt the planks under her feet transmit a slow knock as someone trod the towpath outside.
Her father’s cap still hung on the hook by the door. She had told herself not to wear it, not yet. It made his absence too literal. Sharing air with something that had held his sweat and his laughter felt like asking for trouble. But the sight of it steadied her, the way a horizon steadies your sea legs.
“Fine,” she whispered. “I hear you.” She tapped the cap with two fingers, as if it could approve.
When she stepped back out, the mist had lifted its hand. The far bank existed again in softened charcoal lines. An old man in a flat cap worked at a windlass on the lock up beyond the footbridge, moving at the steady pace of someone who didn’t think pace had much to do with getting there. A kingfisher doubled itself on a low branch and then snapped into flight, a blue thought arrowing down the cut.
Ivy crossed to the bow and crouched to check the fender. She pressed her thumb into the line to feel how the damp had changed it. She told herself she was studying learning how wet weight alters the lay. That was true, but it was also not why she was here. She listened for the violin and pretended not to.
“Morning.”
She looked up. The voice came from the towpath. A woman in a quilted jacket stood with a dog that had opinions about everything and a nose that had already catalogued Ivy’s boots.
“Morning,” Ivy answered.
“You’re Ivan’s girl,” the woman said, not unkindly, as if relaying gossip to the day.
“Ivy,” she said, tasting the name in this place where her father had worn it into introductions for years. “Yes.”
“Good man,” the woman said. She glanced at the boat the way boat people do, her eyes skimming the lines, noticing the paint and rust without commenting on either. “You settling?”
“I’m trying,” Ivy said. Honesty left less room for embarrassment later when someone saw you fumble a line.
The woman’s mouth softened. “Canal will teach you if you listen.” She clicked her tongue for the dog. “And if you don’t, it will teach you louder.” She tilted her head downstream. “Mind him.”
“Him?”
“Fiddle on the roof.” A faint smile. “Plays like the inside of a storm. Talks like a man who’s packed in a hurry and left mostly what mattered.”
Ivy felt something in her face give away more than she wanted. “We spoke,” she said, then, because that sounded too big for what had happened, “Briefly.”
“Mm.” The woman’s eyes crinkled. “Theo,” she added, as if it were a name put down between them. “He’ll tell you it’s temporary. Everything is with him, until it isn’t.” She made a small click with her cheek, and the dog trotted on, nails ticking faintly. “Tea later if you want a real map of who’s where.”
“Thank you,” Ivy said, and meant it as something larger.
She stood very still for a minute after they left. The name hung in the air as if the fog liked the shape of it. Theo. She tried it in her head without inflection, then with annoyance, with the exasperated fondness she refused to admit might be part of it.
Don’t be ridiculous, she told herself, hard. You have lines to learn and a stove that smokes when the wind sulks. You do not have room for a man who treats roofs like stages.
But the name had already found where to sit.
She took the windlass from its hook in the well deck and weighed it in her hand. It was heavier than it looked, the kind of heft a tool has when it has taught a lot of lessons. She didn’t need it this morning, not really, but she wanted to feel right holding it. She slipped it back and took the boathook instead, working the pole along the hull to nudge a bit of floating weed away from the intake. The slight resistance was transmitted up the shaft into her wrist and forearm. The body learns, inch by inch.
“Your stern line’s fine.”
She flinched. He had covered the distance on the towpath like a thought that decided to be out loud. Theo stood with his case slung over one shoulder, hair pushed back by a hand that hadn’t decided what else to do. Up close, he was younger than the voice had made him out to be, and older around the eyes than his mouth admitted.
“I know,” she said, and hated that it sounded defensive even to herself.
“Do you?” He nodded at her palm. “You’ll wear grooves if you keep running line through it like that.”
The instinct to hide her hand came too late to be useful. She straightened instead. “It’s my line to groove.”
That earned the first genuine smile—quick, then gone. “Fair.” He shifted the case a little, hitching the strap higher. “Theo,” he added, as if some private cue had reminded him. “Since we’ve graduated to unsolicited advice.”
“Ivy,” she said. She didn’t offer her hand; line burns and coffee heat didn’t like handshakes. “Since we’ve graduated to giving it names.”
He tipped his head, amused. “You from here, Ivy-who-grew-up-on-that-boat?”
“From here enough,” she said. “From him more.” She let her gaze flick to the cap inside and away again.
He followed the look, of course. “Ivan,” he said, not as a question. “He gave me a tow once when my engine pretended it was French and went on strike.” His mouth twitched. “Wouldn’t take money. Said I could pay in quiet.”
“That sounds like him,” she said. The sudden swell of missing him surprised her. It rose like a wake, hitting the hull at a bad angle and rocking her breath.
Theo looked at her long enough to notice, without saying a word, that he had seen. “You warming the engine today?” he asked, as if the subject change were the shore she needed.
“Thinking about it,” she said. “She coughs like a smoker if I don’t prime right.”
“Show me your priming dance,” he said, stepping onto the gunwale with the point‑balanced grace of someone who’d done foolish things on narrow surfaces and survived them.
She opened her mouth to say she didn’t need help and found herself moving aside so he could see. In the engine bay, the smell was its own history: diesel and old, damp metal warmed and cooled, then warmed again. She checked the fuel, stroked the lift pump until the resistance changed, cracked the bleed screw, and watched the bubble give way to a clean line of fuel. Theo watched without comment, the quiet that lets someone keep their dignity.
“Try her,” he said.
She hit the starter. The cough came, then a brief stall, and then the engine found itself and settled into a rough idle that smoothed out as if the soot had untangled in the lines. Ivy couldn’t help but let a little smile slip over the fence of her caution.
Theo leaned an elbow against the cabin top and listened to the note. “That’s not bad,” he said.
“She’s telling you she’ll behave if you remember to greet her in her own language.”
“I barely speak mine,” she said, and then wished she hadn’t given him that much truth.
He didn’t treat it like a prize. He nodded at the tiller. “Take her a yard off and set back on your line. Feel the push and how much slack you’re holding. It’s a good lesson while the mist forgives ugly.”
Ivy hesitated. The canal had ways of making you pay for hubris, small coins dropped into a jar you didn’t know you’d been handing over. But the engine’s steady thrum and the way the boat seemed to wait for her decided it.
She untied the bow, coiled the line, and laid it where she could reach it again. At the stern, she eased the tiller and gave the engine the gentlest persuasion. The boat sighed away from the bank like a sleeper turning. Water folded between steel and earth. For a second, the stern swung more than she wanted. She breathed through it, brought the bow around, then let the engine idle her into new alignment. She felt it the moment when the line, the angle, and the weight of the boat all agreed on which way to be in this exact breath of wind.
“Now lay her on,” Theo said, not directing, just naming the thing she had already decided to do.
She stepped ashore with the stern line, the ground firm under the boot that didn’t quite trust it yet, and made a quick turn around the bollard. The line kissed her palm, familiar and not; she paid it out, took it in, and the boat drew itself alongside as neatly as if the canal had approved the plan.
She tied off, letting the last tug tell her it was good. The second she released the line, the wind offered a small opinion and pushed at the bow.
“Go,” Theo said, but she was already moving. She had the bow line coiled and was stepping forward when the dog from earlier reappeared and announced itself with authority. The dog’s lead angled the wrong way around the woman’s legs; Ivy adjusted without thinking, letting the dog, the wind, and the slight pull of the boat all be part of the equation. She caught the ring, looped, pulled, and felt the satisfying moment when everything in the system stopped arguing.
The woman lifted two fingers in salute. “Nicely done,” she said, and moved on.
Theo’s smile this time had both corners. “See? Belonging is mostly a conversation with things that don’t talk.”
Ivy tried not to enjoy that more than she should. “I’m fluent in kettles that sulk,” she said, because humor sometimes held the line better than pride.
He patted the violin case. “I’m fluent in instruments that lie.” He shifted as if to go, then hesitated. “There’s a session up by the bridge this evening. Pub with a name that’s a pun you’ll regret knowing. The usual suspects bring battered squeezeboxes and the occasional whistle that thinks it’s a flute. You should come.”
“Should I?” The caution came out dressed as curiosity.
“It’s good to let your hands learn other kinds of knots.” He shrugged. “Or ignore me. We can keep exchanging advice across three moorings like semaphore.”
She looked down at her palms, at the shiny new places where line had already begun to teach its alphabet. She wanted to say no, keep the morning’s friction honest, refuse the easy slope of community rolling toward her. She also wanted to sit in a room where instruments breathed and watch his face when he wasn’t pretending the roof was far enough from the ground.
“What time?” she asked, pretending she hadn’t decided before asking.
“Seven,” he said. “You’ll hear us even if you don’t want to.”
“Then I’ll come to hush you,” she said, because it felt safer to frame it as a favor she was doing the town.
He touched two fingers to the case, as if in something that could have been a salute, if he were a different kind of man, then stepped back to the towpath. “Bring your stubborn,” he said over his shoulder. “It’s the only currency they respect.”
He moved away with that loose-jointed balance musicians have when they stand before they’re ready to sit again. Ivy watched him until the fog tucked him into its pocket.
The engine ticked, cooling. She shut down, patted the lid as if the boat could feel gratitude, and went about the small work that makes a place yours: sweeping grit from the well deck, wiping condensation from the hatch runners, and pinching dead leaves from a pot of thyme that a previous owner had left behind. She added water to the kettle and set it back, then laughed at herself for the comfort of small repetitions.
She took the cap down and turned it in her hands. Ivan’s cap her father’s. The wool had held its shape around his habits, a slight curl in the brim where his hand constantly adjusted it. She set it on her own head and felt immediately like a child trying on a grown man’s shoes. She kept it anyway. The weight of it changed how she stood, and that was something like help.
Outside, the mist lifted another inch. Boats began to take on their own colors, edges reclaiming their grey. A man across the way folded a deck chair with the resigned efficiency of someone who had meant to read outside and had, instead, read the weather. Two teenage boys in hoodies threaded fishing line with the seriousness of surgeons. The dog with opinions introduced itself to a swan and then reconsidered a career in diplomacy.
Ivy poured coffee and carried it to the bow. She sat with her boots against the gunwale and let the mug warm the line burns on her palm. The canal did what the canal does: moved without seeming to. The muscles along her shoulders softened in increments until she noticed she could breathe to the bottom again.
You can do this, she thought, and the thought did not sound like an argument for once. You can learn the weight of things and when to let them have their way with you.
Later, she took a notebook from the galley drawer and made a list the way people make lists when they aren’t avoiding work, just arranging its approach: oil change schedule; chimney sweep; check stove line seal; fender line splice practice; ask about wood deliveries; find the man with the blue tank who comes on Tuesdays.
When the afternoon unwrinkled into a pale strip of light that treated the towpath like a suggestion of summer, she walked to the lock with her windlass to practise without admitting she was practising. The old man from the morning had gone; a young couple with matching impatience were bringing a rental boat through with more enthusiasm than aim. Ivy offered a gate paddle and a smile; the woman handed her a line as if it were a baton, and they were already on the same team. The water made its low thunder; the boat dropped with a mixture of grace and hurry that locks never fully approved of; a lad with headphones yelled “Cheers!” from the stern like a blessing.
By the time Ivy walked back, the day had acquired edges. The pub by the bridge had spilled chairs into the gap between pavement and canal; chalkboard letters promised hot pies and a level of wit the blackboard did not deliver. Music leaked already, someone tuning a guitar, someone else overconfident with a bodhrán.
She almost kept walking. Habit is a wall you lean on even when it’s in the wrong place. But then, at the periphery of sound, she heard the shape of Theo’s playing, not the notes exactly, but the way he pressed into them, and her feet did the kind thing they do when they forget to be afraid.
Inside, the air had its own weather, warm with bodies and steam, cool where the door let the canal step in for a look. The bar smelled like wood that had been spilled on since the year should have been painted above the door, and never was. A woman behind the counter slid a pint to a man with the reflexes to catch it one-handed; Ivy lifted a palm and ordered by pointing at a cider someone else was already drinking. The woman’s nod said: first time here, but you’ll do.
The session clustered by the window like a family reunion that had decided not to fight this time. A squeezebox wheezed a reluctant harmony; a guitar player eyed his calluses with suspicion; a whistle tried to remember if it was in D and then decided to be. Theo stood with his case open at his feet, the violin balanced in the crook of his arm, while he tightened the bow hair with the little ritual movements that were both practical and theatrical.
He saw her and did not draw attention to the fact of seeing. He just tipped his chin a fraction as if acknowledging that the air had included her all along and was now remembering to say so.
She found a leaning place against a pillar, the kind of spot that let you have a wall and a view. The first tune, once they saw it, was a polka that tried to run away from them and then circled back, tamed by laughter. Theo didn’t take the lead; he tucked himself into the weave and ran harmony lines that made the whole tune sound like it had a secret. When he did step forward, the pub listened without being instructed to. He played with that same freedom and precision she had heard on the roof, but something loosened in his shoulders when the room fed the sound back to him. It made his notes braver.
Ivy drank slowly and let her body remember what it is to be in a room and not be expected to hold it together for anyone but yourself. Snatches of conversation brushed past work stories half-cursed, a plan for a Sunday, someone who had finally fixed a pump that had bullied them for months. The room’s hum folded around the music the way water folds around the hull, holding it while letting it through.
During a pause, when the whistle player took too long to decide if he needed the loo more than he needed the next tune, Theo stepped into the gap beside her.
“You came to hush us,” he said, as if continuing a conversation started on a different page.
“I thought you’d need supervision,” she said, hearing how her voice had steadied since morning.
“The dog on the towpath gave a poor review.”
“He gives poor reviews to ducks,” Theo said. His mouth did that almost‑smile and then upgraded it. “You okay?” he asked, not as a pleasantry. He angled his head toward her line-marked palm.
“I will be,” she said. “If I stop trying to teach knots new tricks.”
“Let the old ones do their jobs,” he said. “They like it. They’ve been around longer than we have, and they’re less tired of themselves.”
“I’ll take that under advisement.” She looked at the violin. “You play like you’ve promised someone you wouldn’t be miserable and intend to keep the promise.”
He blinked, then laughed once, quietly. “That’s a specific accusation.”
“You can plead the fifth,” she said, then realized the idiom might not belong to this room and saw from the glint in his eyes that he’d caught her thinking it. “Or not.”
“Sometimes you make a deal with yourself,” he said, turning the bow screw a fraction as if it mattered to the words. “You say: you can be wreckage later, after the set. And then later turns into later again, and you keep the roof up between songs.”
She swallowed. The cider had gone warm; she hadn’t noticed. “I know that deal,” she said. “Different contractor. Same roof.”
They stood in the normal noise for a moment and let the thing they’d just said sit between them without needing to be tidied. Someone called a tune, the room agreed, and Theo nodded toward the circle as if the music had tugged his sleeve.
“You’ll be here awhile?” she asked, and hated that it sounded like hoping.
He looked at her, really looked, like you look at a map you’re not sure you should trust. “For now,” he said, and this time the words didn’t land like a door closing. They sounded like the kind of truth that leaves a window open.
He stepped back into the session; the reel they found had shoulders and a grin. Ivy felt the shape of the day shift very slightly, like a boat easing into deeper water where it can breathe.
When she walked back along the towpath later, the mist had given way to the night entirely. The canal wore the last light like a soft scarf; the first star pretended it wasn’t watching. She checked her lines by touch and by the little inventions of habit that were already starting to feel like hers. In the cabin, she left a space on the hook where the cap would go in the morning, a promise to herself she could keep.
Before she doused the lamp, she wrote in the notebook: Belonging is a conversation with things that don’t talk. Then, below it, smaller: Theo was loud. I didn’t hush them. She turned the page and drew a bad sketch of a violin leaning against a windlass and, without meaning to, wrote his name under it: Theo.
In the quiet that followed, the canal spoke in its sleep, a slight slap against steel, a murmured shift of line on a ring. Ivy lay on her side and let the sounds tally up into something like a future. She breathed with the boat until her breath and the hull and the water agreed. When sleep took her, she did not wake at the first bump. Or the second.
James Adams' 
Some of these cave drawings are mentioned by the famous author Erich von Daniken who wrote the controversial book, The Chariots of the Gods, in the book he explains that he has travelled to every part of the world studying cave drawings and discovered that one single drawing showed a sign that was identical on all continents, the sign he was referring to is pointing to the sky with people bowing down as in the presence of a God descending from above, the question is, is this showing a higher force in the universe visiting the earth? According to von Daniken “ why would an African tribesman draw the same drawing as a cave dweller from Scandinavia, they have net met, yet draw the same image”, is this a sign that an alien craft visited?
For years explorers dug relentlessly to uncover various tombs across Egypt, only to be stumped when they came across the imagery that was laid out before them. Many believed that the drawings were some sort of curse and that they would suffer if they entered the space illegally.
Hades' symbol is seen on many ancient military armies across the world, and apart from being known for the underworld connection, he is also known as the King of the Dead and wealth.
Following the publication of All Boats Are Sinking (Summersdale Publishers), Hannah looks forward to taking on her next writing project, and intends to find inspiration through her imminent foray into a little-known thing called “motherhood”. She now lives in South London with one foot still firmly rooted on Argie – moored somewhere in the UK.