mooring lines
chapter five
Evenings on the canal were painted in gold. Lamps glowed from cabin windows, their light doubling in reflections on the water’s surface. Theo leaned against his railing with a violin in hand, coaxing out tunes that had no audience but the ducks and the ripples. His music carried across the cut, threads of melody curling through ivy-clad walls and along the towpath.
From her deck, Ivy listened. She pretended indifference, but her hands stilled on her mug of tea as she watched his silhouette framed in lantern light. The notes were raw, unpolished, and unlike the glossy performances she later learned he had abandoned. Here, he played not to impress but because the music demanded release. And something in her tightened with each refrain.
***
The weight of the shopping bag tugged against her shoulder as Ivy made her way back from the market. The cobbles underfoot gave way to the softer grit of the towpath, but before she crossed the bridge, she slowed, eyes drifting to the pub tucked into the bend of the lane. Its windows glowed amber even in daylight, and the painted sign, The Crown and Anchor, creaked faintly in the breeze. The place smelled of yeast, wood smoke, comfort, and memory, stitched together.
She hesitated on the threshold, then pushed the door open. Inside, the air wrapped around her like a worn quilt, warm, a little damp with steam from the kitchen, heavy with the smell of ale and roasted meat. Voices tumbled over one another, laughter here, a low murmur there, the scrape of a chair against the stone floor.
Behind the bar stood her friend, Meg, a stout woman with cheeks ruddy from both good humour and years near the fire. Her accent curled soft around the vowels, West Midlands through and through. “Well, if it isn’t Ivan’s girl,” Meg said, eyes crinkling as she set a tankard down for another customer. “I’d heard you’d taken the boat. Thought you’d be keepin’ yourself to the lines for a good while before bravin’ us lot.”
Ivy smiled, setting her bag on the counter for a moment’s reprieve. “Needed supplies,” she admitted. “And I thought a quick stop might be safer than learning to cook with coal smoke choking me.”
Meg barked a laugh. “Coal will choke ye, aye, but it’ll warm your toes better than bread and butter.” She poured a half pint without asking and slid it across. “On the house. For comin’ back.”
The ale was golden, a froth catching the lamplight. Ivy sipped, letting the bitterness settle on her tongue. Around her, the pub breathed with its regular rhythm: domino tiles slapped on wood, a dog nosing under tables for scraps, a man near the fire telling a story with hand gestures wider than the truth likely was.
“Feels different without him, doesn’t it?” Meg asked softly, her voice barely carrying past the bar.
Ivy nodded her throat tight. “He always liked the market. Said you could tell the health of a village by the weight of its bread and the boldness of its music.”
“Wise man,” Meg said. “And right enough. Did ye hear old Seamus fiddlin’ out there? Still got fingers quicker than lads half his age.”
“I did,” Ivy said, smiling faintly. “It made me think of Dad. He’d always pause to listen, even when he pretended he was in a hurry.”
Meg leaned on the bar, giving Ivy a look that was both steady and kind. “Then you’ll do the same. You’ve got his ears, girl. And maybe his stubbornness too.”
They spoke a little longer of coal deliveries, of which grocer sold milk that didn’t turn in a day, of how the swans had nested late this year. When Ivy finally gathered her bag and stepped back into the sunlight, she carried not only provisions but a sense of having been woven, however lightly, back into the fabric of the place.
The walk to her boat felt shorter, the canal glinting brighter in the late afternoon. She crossed the gangplank with care, setting the bag down inside before sinking onto the bench in the galley. The space smelled of bread, cheese, and faint smoke from the morning’s stove. She unpacked slowly: apples polished against her sleeve, coal stacked in the corner bin, milk set near the cool of the hull. Each item was an anchor, a piece of ordinary life to weigh against her uncertainties.
Sitting with a slice of bread in hand, she let her thoughts drift back to the marketplace. She had watched children laugh at the fiddler’s tunes, seen women haggle with sharp wit, felt the press and swirl of community around her. To her father, the market had been a gauge, a barometer of belonging. He had loved the bustle, the argument, the way a tune or a loaf could tell you whether a place was thriving.
For Ivy, the market had been overwhelming at first, too many voices, too much movement. But as the day wore on, she had felt something shift. Buying bread, she had been offered kindness. Buying coal, she had been shown strength. Listening to music, she had felt tradition steady her heartbeat. The market had tested her and, in small ways, accepted her.
Her father would have read it as a sign. See, lass, he would have said. The village has room for you, if you’ve the will to claim it.
Ivy leaned back, eyes tracing the worn beams above. Outside, the canal whispered against the hull, carrying both memory and promise. She was not yet fluent in this life, but today she had begun to speak its language. And in the music, both the old fiddler’s steady bow and Theo’s storm-fire glance from across the crowd, she had heard the conversation deepen.
She closed her eyes, letting the rhythm of the day settle. Belonging, she thought, might not come all at once. But it had begun.
